tag:blogger.com,1999:blog-6016779378981266062024-03-13T20:35:19.033+01:00Thödol LabelLabel dédié à la composition, l'improvisation, l'avant-garde, la musique contemporaine, industrielle, noise, free, électro-acoustique, en tout cas résolument ouverte sur les transversalités et les expérimentations. Thödolhttp://www.blogger.com/profile/07405805245613388706noreply@blogger.comBlogger46125tag:blogger.com,1999:blog-601677937898126606.post-1292879986442532017-09-12T10:26:00.000+02:002017-09-13T09:47:14.650+02:00<b>À NOS AMIS</b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxtBZ79VOzRcjpb-6mWbJlJdA6x8GuJpuZx-9th0ywWWQgO_kY7fBRLVlHtwk2D9bBm6-OHAcNXfRaRjmQe5Qhyv-g3X1ZXlJKMpTu_3tIyFwUOG24MaVWM8kSChn6D7XMAJuQLeisgK0/s1600/A+nos+amis+pochette.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1448" data-original-width="1452" height="319" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxtBZ79VOzRcjpb-6mWbJlJdA6x8GuJpuZx-9th0ywWWQgO_kY7fBRLVlHtwk2D9bBm6-OHAcNXfRaRjmQe5Qhyv-g3X1ZXlJKMpTu_3tIyFwUOG24MaVWM8kSChn6D7XMAJuQLeisgK0/s320/A+nos+amis+pochette.png" width="320" /></a></div>
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<b><a href="https://thodolnetlabel.bandcamp.com/album/nos-amis">Ecouter des extraits de l'album</a></b></div>
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«<i> À ceux pour qui la fin d’une civilisation n’est pas la fin du monde ;</i></div>
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<i>À ceux qui voient l’insurrection comme une brèche, d’abord, dans le règne organisé de la bêtise, du mensonge et de la confusion ;</i></div>
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<i>À ceux qui devinent, derrière l’épais brouillard de la crise, un théâtre d’opérations, des manœuvres, des stratégies – et donc la possibilité d’une contre-attaque ;</i></div>
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<i>À ceux qui portent des coups ;</i></div>
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<i>À ceux qui guettent le moment propice ;</i></div>
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<i>À ceux qui cherchent des complices ;</i></div>
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<i>À ceux qui désertent ;</i></div>
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<i>À ceux qui tiennent bon ;</i></div>
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<i>À ceux qui s’organisent ;</i></div>
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<i>À ceux qui veulent construire une force révolutionnaire, révolutionnaire parce que sensible ;</i></div>
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<i>Cette modeste contribution à l’intelligence de ce temps. </i>»</div>
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Conception, mise en scène, choix de textes & adaptation - P.M.</div>
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Assistante - N.B.</div>
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Musique & son - L’Ensemble invisible</div>
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Guitare double manche, mégaphones, objets - T.B. </div>
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Claviers, voix - B.P.</div>
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Enregistré par F. en mai 2016 à V.-l.-N. dans le cadre de M.A.</div>
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Masterisé par A.L. au S. Studio à N.</div>
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Remerciements</div>
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Les éditions la Fabrique & l’Éclat, Le Comité Invisible, la Mauvaise Troupe, Dominique Répécaud, Nathalie Bonnafé, Anthony Laguerre, Foki, Anthony Buendia, Vincent Capes, Musique Action et MJC LilleBonne</div>
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Spectacle créé avec le soutien de</div>
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CCAM Scène Nationale de Vandœuvre, Région Alsace Champagne-ardene lorraine, la Ville de Maxéville dans le cadre du dispositif de résidence développé par le Conseil régional de lorraine</div>
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Textes issus de</div>
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<b><i>À nos amis</i></b> du Comité Invisible (avec l’aimable autorisation des <b><a href="http://lafabrique.fr/">éditions la Fabrique</a></b>)</div>
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Et <b><i>Constellations, trajectoires révolutionnaires du jeune 21ème siècle</i></b> du collectif Mauvaise Troupe (avec l’aimable autorisation des <b><a href="http://www.lyber-eclat.net/">édition l’Éclat</a></b>)</div>
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THÖDOL 21/09/2017</div>
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THO033</div>
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40:47<br />
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Thödolhttp://www.blogger.com/profile/07405805245613388706noreply@blogger.com0tag:blogger.com,1999:blog-601677937898126606.post-75436987292095195182017-07-21T16:56:00.001+02:002017-07-22T15:34:31.107+02:00QUADRILATERE Volume 5<div class="separator" style="clear: both; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvdQcRZAXOx-L7MAyd7QSkzwgXFni3_oq8jqYRb1Jofuz5f1hO727j6-rs4RQZMOx7d9cIIlMup5zhoSybKWLH7szHN266nJKr7JdPUR9AjC4Aulbkp8tp0Q96Nmrc4zwLN0qJ-DwI8xo/s1600/Quadrilatere+Volume+5+01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="1408" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvdQcRZAXOx-L7MAyd7QSkzwgXFni3_oq8jqYRb1Jofuz5f1hO727j6-rs4RQZMOx7d9cIIlMup5zhoSybKWLH7szHN266nJKr7JdPUR9AjC4Aulbkp8tp0Q96Nmrc4zwLN0qJ-DwI8xo/s320/Quadrilatere+Volume+5+01.jpg" width="312" /></a></div>
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<a href="https://thodolnetlabel.bandcamp.com/album/quadrilatere-volume-5"><b>Ecouter des extraits de l'album / <i>Listen to excerpts</i></b></a><br />
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Quatre musiciens créent chacun un morceau remixé successivement par les trois autres. <br />
Four musicians each create a piece successively remixed by the three others.<br />
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<a href="http://laurentestoppey.com/">Laurent ESTOPPEY</a> - Saxophone, Laptop<br />
<a href="http://lionelmalric.com/">Lionel MALRIC</a> - Cymbalum, Tape Recorder, Electric Clavichord, PIANO,<br />
Keyboards, Gamelan, Objects, Field recordings<br />
<a href="http://www.juanjoserivas.info/">Juanjose RIVAS</a> - Hacked turntable, No input mixer, Amplified objects, Digital processes<br />
<a href="http://dragostara.blogspot.fr/">Dragos TARA</a> - Digital Audio Station, Objects, Field recordings<br />
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Compositions<br />
<a href="http://laurentestoppey.com/">Laurent ESTOPPEY</a>, <a href="http://lionelmalric.com/">Lionel MALRIC</a>, <a href="http://www.juanjoserivas.info/">Juanjose RIVAS</a>, <a href="http://dragostara.blogspot.fr/">Dragos TARA</a><br />
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Recorded in April/May 2017<br />
Mastered by <a href="https://andrewweathers.bandcamp.com/">Andrew WEATHERS</a><br />
Produced by <a href="http://laurentestoppey.com/">Laurent ESTOPPEY</a><br />
Associate production THÖDOL & <a href="http://www.zoanima.fr/">ANIMA</a><br />
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Artwork & Pictures Nathalie LEROY FIÉVÉE (<i>Sons déchirés </i>& excerpts from serie <i>Sons 2</i>)<br />
Design Vincent CAPES<br />
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Chaque disque est un exemplaire unique avec un artwork original par Nathalie LEORY FIÉVÉE<br />
<i>Each CD is unique with an original artwork by Nathalia LEROY FIÉVÉE</i>.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZYGDSQt4NbP0laS_X7ZO88zJM3Ft_KJMMsDrZAN69QrI2dX-wfe_Ed1JFlgvBIyKq2AZZWPNNMGM9gK3bCplMUhV7xibgKDn36pnLCfh_QPMCw836VluROEuDf_wZ-7ND9igRfvC_rR0/s1600/IMG_4545.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1067" data-original-width="1600" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZYGDSQt4NbP0laS_X7ZO88zJM3Ft_KJMMsDrZAN69QrI2dX-wfe_Ed1JFlgvBIyKq2AZZWPNNMGM9gK3bCplMUhV7xibgKDn36pnLCfh_QPMCw836VluROEuDf_wZ-7ND9igRfvC_rR0/s320/IMG_4545.JPG" width="320" /></a></div>
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20/07/2017 - THO032<br />
70 min.<br />
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Thödolhttp://www.blogger.com/profile/07405805245613388706noreply@blogger.com0tag:blogger.com,1999:blog-601677937898126606.post-74078223332785220612017-04-21T13:11:00.001+02:002017-04-21T13:12:46.623+02:00Guigou CHENEVIER - Le Batteur est le Meilleur Ami du Musicien<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIWSPBX6jftrqU39hnm3RAY1-rJvehbOM-nbGY6t6Vf5wiWXTUak4iT4xxcX_bDxXferEY1TPUa0kywMZUvFgqOm3UmgJzQk3q18n3d9Q-8e7DGwDILTCFlA3mEPigWThzS9xNzs5cmCc/s1600/Guigou-Chenevier---Le-Batteur-est-le-meilleur-ami-du-musicien-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIWSPBX6jftrqU39hnm3RAY1-rJvehbOM-nbGY6t6Vf5wiWXTUak4iT4xxcX_bDxXferEY1TPUa0kywMZUvFgqOm3UmgJzQk3q18n3d9Q-8e7DGwDILTCFlA3mEPigWThzS9xNzs5cmCc/s320/Guigou-Chenevier---Le-Batteur-est-le-meilleur-ami-du-musicien-1.jpg" width="317" /></a></div>
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<a href="https://thodolnetlabel.bandcamp.com/album/le-batteur-est-le-meilleur-ami-du-musicien"><b>Ecouter des extraits / <i>Listen to excerpts</i></b></a><br />
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« Le Batteur est le Meilleur Ami du Musicien ». Cette blague de musiciens constitue pour moi une déclaration d’intention en forme de pirouette. Une manière humoristique de dire que je considère mon rôle de batteur non pas seulement comme celui de « gardien du rythme », mais aussi comme celui de mélodiste et de compositeur. Ce n’est pas d’aujourd’hui que je pense ma place de batteur en ces termes. Déjà avec Étron Fou Leloublan, j’avais écrit plusieurs « chansons pour batterie », très différentes dans l’idée du fameux solo de batterie pendant lequel tout le monde va boire un coup au bar, tellement c’est chiant. <br />
C’est pour suivre cette idée que j’ai créé « Les Batteries » en 1984, avec Charles Hayward & Rick Brown. Un trio de batteries avec lequel nous avons écrit de « petites pièces pour batterie ». C’est encore en suivant cette idée que j’ai commencé à me dire qu’il serait intéressant d’inverser les rôles. De partir d’une rythmique précise pour construire des morceaux de musique, et non, comme c’est le plus souvent le cas, que la batterie arrive au dernier stade de la composition. C’est ce que j’ai essayé de faire avec « Le Batteur est le Meilleur Ami du Musicien ». J’étais amusé et intrigué de voir comment chaque musicien tirerait parti de la « contrainte » que je lui imposerais, et je dois dire que le résultat dépasse largement mes espérances. <br />
J’ai enregistré 14 morceaux de batterie, que j’ai envoyés à 14 musiciens dans le monde, avec bien sûr la totale liberté pour chacun de ces musiciens d’intervenir musicalement sur la proposition faite de quelque manière que ce soit... en essayant de me fondre le plus possible dans chaque univers musical. Une manière aussi de rendre hommage à des musiciens que j’aime beaucoup. 3 des 14 musiciens ont abandonné le projet en cours de route, pour des raisons diverses. Dommage ! Reste 11 morceaux achevés, comme 11 cartes postales musicales envoyées par des amis du monde entier. Je remercie encore tous ceux qui se sont prêtés au jeu. <br />
À la fin de ce disque, j’ai finalement décidé d’ajouter l’un des 3 morceaux de batterie resté « orphelin ». Certains s’amuseront peut-être à deviner à quel musicien je le destinais. Je propose à tout musicien prêt à relever le défi de s’emparer de cette proposition rythmique pour m’envoyer ensuite un morceau achevé. J’aurais peut-être ainsi un jour la matière pour un nouveau disque. « X » variations sur le même thème. Chers amis du batteur, à vous de jouer !</div>
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— Guigou Chenevier, le 17 Avril 2003</div>
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Momo ROSSEL - violon, accordéon, mandoline<br />
Shirley HOFFMAN - Tuba, voix<br />
Rick BROWN - claviers, séquenceur, boîte à rythme, percussions, claps<br />
HACO - voix, électronique, effets<br />
Jean DERÔME - jeu de colliers, cloches à vache, ventilateur portatif, 3 guimbardes, appeau à oie modifié, appeau à grive, bloc de bois, trompinette basse, grelots de cariole, hochets, 2 piccolos, Gauthier 2002, sh-3A & Casio VL-Tone <br />
Sue GARNER - basse, guiatre, voix, traitement électronique<br />
Kenji ITOKEN - cloches, glosckenspiel, xylophone, mélodica, SH101<br />
Nick DIDKOVSKY - guitare, basse<br />
Kevin NORTON - vibraphone, marimba, cymbales, triangles<br />
Hans BUHRS - voix, effets<br />
Lars HOLLMER - accordéon, claviers, piano, mélodica<br />
Jonathan THOMAS - casio et casseroles<br />
Guigou Chenevier - batterie & percussions</div>
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Enregistré par François Dietz en septembre 2002 au studio du CCAM à Vandœuvre-les-Nancy<br />
Graphisme original | Sophie Jausserand<br />
Version 2017 | Vincent Capes</div>
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Disque initialement paru chez In-Poly-Son | Inouï Productions</div>
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14/04/2017<br />
THO031<br />
40:04</div>
Thödolhttp://www.blogger.com/profile/07405805245613388706noreply@blogger.com0tag:blogger.com,1999:blog-601677937898126606.post-30689850096587952092016-11-27T22:07:00.001+01:002016-11-27T22:08:31.105+01:00HACKACOMB<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiK2i4AXg1sL84ihEFcCxbpH55uQW8cjGBRHlJkboAV_TfsqN7beYF8LQK8tvVzGd9Y1dhs2UF6DiigbLLm2xk48qgmeZ8Z9LL0MAGFVeNqZ1Jx7N6tEX02vu0jfMrcvXU4VwoIkZXeu1g/s1600/a4145687405_10.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiK2i4AXg1sL84ihEFcCxbpH55uQW8cjGBRHlJkboAV_TfsqN7beYF8LQK8tvVzGd9Y1dhs2UF6DiigbLLm2xk48qgmeZ8Z9LL0MAGFVeNqZ1Jx7N6tEX02vu0jfMrcvXU4VwoIkZXeu1g/s320/a4145687405_10.jpg" width="318" /></a></div>
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<a href="https://thodolnetlabel.bandcamp.com/album/hackacomb"><b>Ecouter un extrait de l'album <i>/ Listen to excerpt</i></b></a><br />
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<a href="http://hackacomb.blogspot.fr/">HACKACOMB</a> joue sur des instruments miniatures et des objets incongrus parfois sortis du quotidien une musique à priori miniature aussi. Les sons existent grâce à une amplification souvent extrême qui permet d'en révéler des composants surprenants et de les rendre gigantesques. L'objectif est ensuite de noyer l'auditeur dans des marées sonores non identifiées diffusées par des haut-parleurs.<br />
Après s'être spécialisé dans le concert acoustique en appartement - voire en salle de bain - pour un public très limité sous le nom de Homeson 24, <a href="http://hackacomb.blogspot.fr/">Hackacomb</a> se propose d'explorer l'agrandissement sonore démesuré ou la puissance potentielle d'un bout de carton ou d'un piano-jouet.<br />
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<i><a href="http://hackacomb.blogspot.fr/">HACKACOMB</a> uses miniature instruments and odd items taken from daily life, to play music which appears miniature as well. The sounds are amplified, often to the extreme, revealing their surprising nature, their existence itself and their vasteness. The intention is then to swamp the audience in a swell of unidentified sounds screamed through loud speakers.<br />After specialising in acoustic concerts, in apartment and even bathrooms, for small audiences, under the name of Homeson 24, <a href="http://hackacomb.blogspot.fr/">Hackacomb</a> explores new and high degrees of sound amplification like the potential power of a piece of cardboard or toy piano. </i><br />
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<a href="http://lucmuller.blogspot.fr/">Luc Müller</a> & <a href="http://benoitmoreau.blogspot.fr/">Benoît Moreau</a> - Objets divers et instruments amplifiés<br />
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Enregistré le 6 juillet 2016 à la Blécherette, Lausanne<br />
Mixage - Raphaël Raccuia<br />
Mastering - Marcin de Morsier<br />
Musique de <a href="http://lucmuller.blogspot.fr/">Luc Müller</a> & <a href="http://benoitmoreau.blogspot.fr/">Benoît Moreau</a><br />
Artwork - <a href="http://ninareumaux.tumblr.com/">Nina Reumaux</a><br />
Design - Vincent Capes<br />
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27/11/2016 - THO030<br />
39 min. </div>
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<a href="https://thodolnetlabel.bandcamp.com/album/hackacomb"><b>ACHETER LE DISQUE /<i> BUY CD</i></b></a></div>
Thödolhttp://www.blogger.com/profile/07405805245613388706noreply@blogger.com0tag:blogger.com,1999:blog-601677937898126606.post-27241492975180860502016-11-03T12:36:00.001+01:002016-11-03T12:36:31.281+01:00QUADRILATERE Volume 4<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5n6CMEIuEXBNuyHqs0HCuToafKgUGD-5NPQk3nO7An4evu6PaAauvZO-l7F919lTS2QZriJfCo6LS-Fjw2KyVTzNg-bOAVR1gAhWK7btbYdYZII5c9MzT8ALuNiz6djxylwAPLhyphenhyphen7AYs/s1600/01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5n6CMEIuEXBNuyHqs0HCuToafKgUGD-5NPQk3nO7An4evu6PaAauvZO-l7F919lTS2QZriJfCo6LS-Fjw2KyVTzNg-bOAVR1gAhWK7btbYdYZII5c9MzT8ALuNiz6djxylwAPLhyphenhyphen7AYs/s320/01.jpg" width="317" /></a></div>
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<br />
<a href="https://thodolnetlabel.bandcamp.com/album/quadrilatere-volume-4"><b>Ecouter des extraits de l'album /<i> Listen to excerpts</i></b></a><br /><br />Quatre musiciens créent chacun un morceau remixé successivement par les trois autres.<i> </i><br />
<i>Four musicians each create a piece successively remixed by the three others.</i><br />
<br />
<a href="https://bkgdaudio.bandcamp.com/"><b>BKGD AUDIO</b></a> - Iphone 6S, Laptop<br /><a href="http://www.laurentestoppey.com/"><b>Laurent ESTOPPEY</b></a> - Saxophone, Field recordings, Laptop<br /><a href="http://www.christiangarcia.ch/"><b>Christian GARCIA-GAUCHER</b></a> - Electronics, Guitar<br /><a href="http://www.tpeter.ch/"><b>Thomas PETER</b></a> - Pro Tools, Max, SUPERCOLLIDER, Analog Synths, Filters, Field recordings<br /><br />Compositions<br /><a href="https://bkgdaudio.bandcamp.com/">BKGD AUDIO</a>, <a href="http://www.laurentestoppey.com/">Laurent ESTOPPEY</a>, <a href="http://www.christiangarcia.ch/">Christian GARCIA-GAUCHER</a>, <a href="http://www.tpeter.ch/">Thomas PETER</a><br /><br />Recorded between June and Oct 2016<br />Mastered by <a href="https://andrewweathers.bandcamp.com/">Andrew WEATHERS</a><br />Producted by Laurent ESTOPPEY<br />Associate production THÖDOL & <a href="http://www.zoanima.fr/">ANIMA</a><br />Artwork - <a href="http://jrmydamien.wixsite.com/jeremydamien">Jeremy DAMIEN</a><br />Design - Vincent CAPES<br /><br />Thanks to Jeremy DAMIEN and all artists involved in this project since the very beginning.<br />THODOL Oct 2016<br />
Thödolhttp://www.blogger.com/profile/07405805245613388706noreply@blogger.com0tag:blogger.com,1999:blog-601677937898126606.post-34098287634942785952016-11-03T11:31:00.000+01:002016-11-03T11:31:00.654+01:00Guigou CHENEVIER - Le Musicien est le Meilleur Ami du Batteur<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVphVQA2-HykYnOdugKiHLmf8gjTfnZVUaujO5ECdDvvTaN_2dQbEJ_UC5VhqAZ0tgqzVyntZ-zpW0JpikyFK22l4DFwQE3jE31NhPc543OUkq1ugOGj56h-iB6rQCMFuNAfiDtiE3GCI/s1600/Guigou+Chenevier-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVphVQA2-HykYnOdugKiHLmf8gjTfnZVUaujO5ECdDvvTaN_2dQbEJ_UC5VhqAZ0tgqzVyntZ-zpW0JpikyFK22l4DFwQE3jE31NhPc543OUkq1ugOGj56h-iB6rQCMFuNAfiDtiE3GCI/s320/Guigou+Chenevier-1.jpg" width="314" /></a></div>
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<div style="text-align: justify;">
<a href="https://thodolnetlabel.bandcamp.com/album/le-musicien-est-le-meilleur-ami-du-batteur"><b>Ecouter des extraits de l'album /<i> Listen to excerpts </i></b></a></div>
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« Le Musicien est le Meilleur Ami du Batteur<i> est la poursuite d’un petit jeu musical que j’ai initié en 2003 sous le nom « Le Batteur est le Meilleur Ami du Musicien » (CD disponible chez In-Poly-Sons, IPS 0603). J’avais proposé alors à une quinzaine de musiciens du monde entier de créer une pièce musicale à partir d’ une « Chanson » pour batterie personnalisée que je leur avais envoyé par internet (ou par la poste). Momo Rossel, Rick Brown, Haco, Jean Derome, Sue Garner, Kenji Itoken, Nick Didkovsky, Kevin Norton, Han Buhrs, Lars Hollmer & Jonathan Thomas s’étaient livrés avec enthousiasme à l’exercice. Mais pour des raisons obscures, trois musiciens-mystères qui s’étaient engagés à participer au projet ne rendirent jamais leur copie. J’ai décidé de clôturer ce disque avec Drones and Drolls (l’une des 3 pièces de batterie restées orphelines) en notant sur le livret du disque : [...] à la fin de ce disque, j’ai finalement décidé d’ajouter l’un des 3 morceaux de batterie resté « orphelin ». Certains s’amuseront peut-être à deviner à quel musicien je le destinais. Je propose à tout musicien prêt à relever le défi de s’emparer de cette proposition rythmique pour m’envoyer ensuite un morceau « achevé » sur CD. J’aurais peut-être ainsi un jour la matière pour un nouveau disque. «X» variations sur le même thème. Chers amis du batteur à vous de jouer !<br />Pour tout dire, je ne croyais pas vraiment à ce moment là que cette bouteille jetée à la mer rencontrerait un écho musical... C’est pourtant ce qui s’est produit, puisqu’au bout de 13 ans, je me suis retrouvé à la tête du précieux « capital » de douze versions (toutes différentes, toutes passionnantes) de Drones and Drolls.<br />Merci à tous les facétieux musiciens qui ont ainsi prolongé ce petit jeu musical amusant. </i>» <br />— Guigou Chenevier, le 6 Août 2016<br /><br />Thomas BARRIÈRE - guitare, voix, samples, <br />Anthony LAGUERRE - matériel analogique, MS20, minibrute, copycat et violons triturés<br />Geoffroy SÉRÉ - voix, ukulele, melodica, plastic guitar, basse, piccolo<br />Pascal PARIAUD - voix, clarinette basse, clarinette Mib préparée, trompe sur saladier<br />Julien SELLAM - violon, violoncelle, cymbales chinoises, componium, mécanisme et craquements d’une boîte à musique géante dans une boulangerie<br />Picola NAINE - claviers, guitare, sample, voix...<br />Nicolas CHATENOUD - guitare, contrebasse, claviers<br />Malala YOUSAFZA - voix (extrait de son discours lors de sa remise du prix Nobel de la Paix en 2014 à Oslo)<br />Jean-Charles FRANÇOIS - tom-tom contrebasse, surdos, cymbale, petite cymbale chinoise, grande cymbale chinoise, gong chinois, woodblock, coquille Saint-Jacques, crotale et un petit bol métallique.<br />Dominique GRIMAUD - boucles<br />Véronique VILHET - batterie additionnelle<br />Gilles LAVAL - guitare<br />Laurent ESTOPPEY - laptop<br />Bastien PELENC - K7, Yamaha YC-25, sixtrak, violon, flûte indienne, field recording (chorale Oaxaca au Mexique), jouets aux piles usagées, xylomatic, vinyles, voix </div>
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La batterie originelle de Drones and Drolls a été enregistrée par François Dietz en septembre 2002 au studio du CCAM à Vandoeuvre-les-Nancy</div>
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Mastering | Anthony Laguerre en septembre 2016 au Shadyn Studio<br />Graphisme | Vincent Capes<br /> </div>
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03/11/2016</div>
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THO028</div>
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56:49</div>
Thödolhttp://www.blogger.com/profile/07405805245613388706noreply@blogger.com0tag:blogger.com,1999:blog-601677937898126606.post-12691026323782750812016-09-30T15:56:00.000+02:002016-09-30T16:05:53.097+02:00John MENOUD & Dragos TARA - Malleus Maleficarum<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcYAFz5lKxoJl_m-dYjiK6NA7Rl8iWkqgdfcl_KyVG7Th9JAWd-Qt6xijNcjwzSvhi0tqHo3l0OS08WV8QTwfvn6XCeaG0dfTFBSV2EOEUxxR1-dZWDihDs8qr_ge_3r5hj7As55Yraj0/s1600/Mallevs-Maleficarvm.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcYAFz5lKxoJl_m-dYjiK6NA7Rl8iWkqgdfcl_KyVG7Th9JAWd-Qt6xijNcjwzSvhi0tqHo3l0OS08WV8QTwfvn6XCeaG0dfTFBSV2EOEUxxR1-dZWDihDs8qr_ge_3r5hj7As55Yraj0/s400/Mallevs-Maleficarvm.jpg" width="400" /></a></div>
<a href="https://thodolnetlabel.bandcamp.com/album/malleus-maleficarum"><b><br /></b></a>
<a href="https://thodolnetlabel.bandcamp.com/album/malleus-maleficarum"><b>Ecouter des extraits de l'album / <i>Listen to excerpts</i></b></a><br />
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C’est avec beaucoup de bonheur et un certaine fierté que Thödol annonce la sortie de MALLEUS MALEFICARUM. Mise en œuvre par les deux grands compositeurs suisses (et par-dessus tout amis) <a href="http://dragostara.blogspot.fr/">Dragos Tara</a> et <a href="http://ensemblevortex.com/members/composer/john-menoud/">John Menoud</a> (que vous avez pu rencontrer sur <a href="http://thodol.blogspot.fr/2015/09/quadrilatere-volume-2.html">QUADRILATERE volume 2</a>), cette suite est interprétée par l’ensemble virtuose <a href="http://ch.au/">CH.AU</a> qui poursuit son chemin à la croisée des genres, puisant dans la chanson, la poésie sonore, l’électroacoustique et le rock. </div>
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Vous y croiserez des textes issus de procès de sorcières dans le canton de Vaud au 15ème siècle, tout autant qu’Antonin Artaud, Aleister Crowley ou Frank Sinatra !</div>
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Préparez-vous à un voyage sonore passionnant sur un double CD studio + live dans un superbe objet illustré. </div>
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Attention : chef-d’œuvre ! </div>
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Un petit extrait vidéo ci-dessous :</div>
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<div style="text-align: center;">
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Wanda OBERTOVA - voix, objets<br />
Valérie BERNARD - violon<br />
Virginie FALQUET - claviers, électronique<br />
Dragos TARA - contrebasse, électronique<br />
Antoine LÄNG - voix, électronique<br />
Aurélien FERRETTE - violoncelle<br />
John MENOUD - guitare, saxophone, électronique<br />
Dominic FREY - percussions<br />
<br />
Composé par <a href="http://ensemblevortex.com/members/composer/john-menoud/">John MENOUD</a> et <a href="http://dragostara.blogspot.fr/">Dragos TARA</a><br />
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Enregistrement Studio - John Menoud et Dragos Tara<br />
Local 110 rue de Lyon, at home Navigation (Genève)<br />
& Local Rue du Nord, rue des deux-marchés 15 (Lausanne)<br />
entre octobre 2012 et mars 2013.<br />
<br />
Enregistrement Live - David Tabachnik<br />
Eglise Sainte Claire (Vevey) le vendredi 12 avril 2013.<br />
<br />
Créé du 10 au 13 avril 2013<br />
à l’Eglise Ste-Claire, rue du Collège, <br />
Théâtre Oriental-Vevey — hors-les-murs <br />
<br />
David TABACHNIK - son<br />
Nicolas GERBER - lumière<br />
Vincent CAPES - graphisme<br />
<br />
31/10/2016 - THO027<br />
148 minutes<br />
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<b>ACHETER LE DISQUE / <i>BUY CD</i></b><br />
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Thödolhttp://www.blogger.com/profile/07405805245613388706noreply@blogger.com0tag:blogger.com,1999:blog-601677937898126606.post-28256502315259985492016-05-01T16:10:00.000+02:002016-05-01T16:12:18.001+02:00QUADRILATERE Volume 3<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5B_vRLRnprW4Ibc35NpHghMVZfExr00PksQH_2KEniRQUaD848srhg3jI4ujf-a77HYZSa_o6M9zDCBJGOK8_8m3X5404d2XAnORqtHt3nxHGdCopDlGLj3so-taTtkKxpxQWHPOL4rk/s1600/01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5B_vRLRnprW4Ibc35NpHghMVZfExr00PksQH_2KEniRQUaD848srhg3jI4ujf-a77HYZSa_o6M9zDCBJGOK8_8m3X5404d2XAnORqtHt3nxHGdCopDlGLj3so-taTtkKxpxQWHPOL4rk/s320/01.jpg" width="318" /></a></div>
<br />
<a href="https://thodolnetlabel.bandcamp.com/album/quadrilatere-v"><i><b> Ecouter des extraits de l'album / Listen to excerpts</b></i></a><br />
<br />
Quatre musiciens créent chacun un morceau remixé successivement par les trois autres.<br />
<br />
<i>Four musicians each create a piece successively remixed by the three others.</i><br />
<br />
<a href="http://laurentestoppey.com/"><b>Laurent ESTOPPEY</b></a> - Saxophone, Laptop<br />
<a href="http://www.michaelgrebil.com/"><b>Σichaël山IBERG</b></a> - Field recordings, Electronics, chance operations, Ceterina d’amore, voice, Piano, guitar and some other stuffs<br />
<a href="http://davidmenestres.com/"><b>David MENESTRES</b></a> - Balloons, Computer, Double bass, Field recordings<br />
<a href="http://benoitmoreau.blogspot.fr/"><b>Benoît MOREAU</b></a> - Electronics<br />
<br />
Compositions by <a href="http://laurentestoppey.com/">Laurent ESTOPPEY</a>, <a href="http://www.michaelgrebil.com/">Σichaël山IBERG</a>, <a href="http://davidmenestres.com/">David MENESTRES</a>, <a href="http://benoitmoreau.blogspot.fr/">Benoît MOREAU</a><br />
<br />
Recorded between March and April 2016<br />
Mastered by <a href="https://andrewweathers.bandcamp.com/">Andrew WEATHERS</a><br />
Produced by Laurent ESTOPPEY<br />
Associate production THÖDOL & <a href="http://www.zoanima.fr/">ANIMA</a><br />
Design by Vincent CAPES<br />
Thanks to all the artists involved in this project.<br />
<a href="https://vimeo.com/163682311"><i><b>The Revealed Symmetry</b></i></a><br />
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Thödolhttp://www.blogger.com/profile/07405805245613388706noreply@blogger.com0tag:blogger.com,1999:blog-601677937898126606.post-30074036865103929722016-05-01T15:26:00.000+02:002016-05-01T16:02:41.740+02:00ORDRE & PROGRÈS - Acteurs & Systèmes<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqraKlecDqhM_kIXYjpFFfGVNEnCOm8HlJFaaoLeO5U5Prg4aZGZtRXp2t-kE-wZqKzu1SX9o8qHPVlKJs5s2kefSiLFSzdN1Ble0YggVziQne_dn-b9kP0Np81cVov7pPWGJODIUaF8Q/s1600/1+-+Front.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqraKlecDqhM_kIXYjpFFfGVNEnCOm8HlJFaaoLeO5U5Prg4aZGZtRXp2t-kE-wZqKzu1SX9o8qHPVlKJs5s2kefSiLFSzdN1Ble0YggVziQne_dn-b9kP0Np81cVov7pPWGJODIUaF8Q/s320/1+-+Front.gif" width="320" /></a></div>
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<b><a href="https://thodolnetlabel.bandcamp.com/album/acteurs-syst-mes">Ecouter l'album / <i>Listen to the album</i></a> </b><br />
<br />
Voici l'ultime disque du groupe de power electronics <a href="https://soundcloud.com/ordre-et-progres"><b>ORDRE & PROGRÈS</b></a>. <br />
Mini-CD tiré à 50 exemplaires.<br />
<br />
01 - Michel Crozier - Intervention 1<br />
02 - Ordre & Progrès - Niklas Luhmann<br />
03 - Michel Crozier - Intervention 2<br />
04 - Ordre & Progrès - Stage d'insertion (live à l'Up & Down)<br />
05 - Michel Crozier - Intervention 3<br />
<br />
Composé et produit par <a href="https://soundcloud.com/ordre-et-progres"><b>Ordre & Progrès</b></a><br />
THOmini001 - 05/2016<br />
CD time 10:27<br />
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Thödolhttp://www.blogger.com/profile/07405805245613388706noreply@blogger.com0tag:blogger.com,1999:blog-601677937898126606.post-40643295010409409832015-12-30T15:22:00.003+01:002015-12-30T15:29:33.579+01:00Grand Chahut Ensemble<div class="separator" style="clear: both; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhp1Wv6bQikEcV7HX_cEDx1FtAyP2e9pUAptvxsCEeilw6uebtTreu2BaBsHgZCKrcpVp4lIN_yCU4T9E8aFdNJ_FNKunDV-wzLZM5ykA4564NEaQxA5AxgriZG-V_bmZP4cdAJJrWl5dw/s1600/01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="315" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhp1Wv6bQikEcV7HX_cEDx1FtAyP2e9pUAptvxsCEeilw6uebtTreu2BaBsHgZCKrcpVp4lIN_yCU4T9E8aFdNJ_FNKunDV-wzLZM5ykA4564NEaQxA5AxgriZG-V_bmZP4cdAJJrWl5dw/s320/01.jpg" width="320" /></a></div>
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<b><a href="https://thodolnetlabel.bandcamp.com/album/grand-chahut-ensemble">Ecouter des extraits de l'album / </a><i><a href="https://thodolnetlabel.bandcamp.com/album/grand-chahut-ensemble">Listen to excerpts</a> </i></b><br />
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Thödol est extrêmement fier de présenter le tout nouvel album du <a href="http://www.grandchahut.com/"><b>GRAND CHAHUT ENSEMBLE</b></a>, le premier big band sur le label ! Pour l'occasion, nous vous proposons cet album sur la forme d'un coffret 4 CD pour seulement 15 € (+ frais de port) !<br />
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<i>Thödol is really proud to introduce to you the brand new album of <a href="http://www.grandchahut.com/"><b>GRAND CHAHUT ENSEMBLE</b></a>, the very first b<b>i</b>g abnd on the label! For celebrate that, we released a 4 CD box for only 15 € (+ shipping) ! </i><br />
<br />
Anne Montagard - clarinette, clarinette basse<br />
Thérèse Bosc - saxophones, voix<br />
Lionel Garcin - saxophones<br />
Olivier Germain-Noureux - saxhorn, tuba<br />
Emily Tissot - hautboix, voix<br />
Nathalie Goutailler - cornet, voix<br />
Thomas Ostermann - trompette<br />
Anouck Genthon - violon<br />
Vincent Copier - guitare<br />
Lionel Malric - claviers<br />
Amanda Gardone - contrebasse<br />
Sébastien Bouhana - batterie<br />
Fred Galland - batterie<br />
<br />
Compositions : GCE<br />
Texte : Benjamin Colin<br />
Mixage & Mastering : Damien Guittard<br />
Enregistré au monastère de Sainte Croix (26) en novembre 2014 <br />
Artwork : Edward Williams<br />
Design : Vincent Capes<br />
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Thödolhttp://www.blogger.com/profile/07405805245613388706noreply@blogger.com0tag:blogger.com,1999:blog-601677937898126606.post-58226556780707396082015-09-09T12:34:00.001+02:002015-09-09T12:35:49.075+02:00QUADRILATERE Volume 2<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIdeEnMVkJvENBqFuPr1vhHMws4pOSsgLDxvVxsid6TGR0fjpIsJ-G5XhFzIEYH1xFM_nUMXnpBPdFC4v5Ct0xwswuJJU5jnwKBj0bSq6f6v1n-jspBuQcJv8KINqJD8BxeqHSnugdV2I/s1600/Quadrilatere+Volume+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIdeEnMVkJvENBqFuPr1vhHMws4pOSsgLDxvVxsid6TGR0fjpIsJ-G5XhFzIEYH1xFM_nUMXnpBPdFC4v5Ct0xwswuJJU5jnwKBj0bSq6f6v1n-jspBuQcJv8KINqJD8BxeqHSnugdV2I/s320/Quadrilatere+Volume+2.jpg" width="306" /></a></div>
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<a href="https://thodolnetlabel.bandcamp.com/album/quadrilatere-volume-2"><br /></a>
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<a href="https://thodolnetlabel.bandcamp.com/album/quadrilatere-volume-2"><b>Ecouter des extraits de l'album /<i> Listen to excerpts</i></b></a></div>
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Quatre musiciens créent chacun un morceau remixé successivement par les trois autres.</div>
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<i>Four musicians each create a piece successively remixed by the three others.</i></div>
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<a href="http://laurentestoppey.com/"><b>Laurent Estoppey</b></a> - Saxophone, Field recordings, Laptop<br />
<a href="http://yannlecollaire.wix.com/site"><b>Yann Lecollaire</b></a> - Laptop, Synthetizer, Keyboards, Clarinets, Sampler<br />
<b>John Menoud</b> - Electric guitar, Percussion, Analog Synthetizer MS-20, Lo-Fi Electronics, Field recordings, Porn Field recordings, Indian Harmonium, Bansuri Flute, Laptop<br />
<a href="http://www.ikuemori.com/"><b>Ikue Mori</b></a> - Laptop<br />
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All compositions by Laurent Estoppey, Yann Lecollaire, John Menoud and Ikue Mori<br />
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Recorded between May and June 2015<br />
Mastered by Andrew WEATHERS<br />
Produced by <a href="http://laurentestoppey.com/">Laurent ESTOPPEY</a><br />
Associate production - THÖDOL & <a href="http://www.zoanima.fr/">ANIMA</a><br />
Artwork by <a href="http://www.ikuemori.com/">Ikue MORI</a> (from 'Beads' & 'Dolls')<br />
Design by Vincent CAPES<br />
Thanks to all the artists involved in this project and Ikue MORI for the photos</div>
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ACHETER LE DISQUE / BUY CD </div>
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09/2018 - THO025 </form>
Thödolhttp://www.blogger.com/profile/07405805245613388706noreply@blogger.com0tag:blogger.com,1999:blog-601677937898126606.post-13856625413016889382015-08-23T15:28:00.001+02:002015-08-23T15:34:23.134+02:00MÛ - From Form<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAzn-HMXbCy5aMMl33mB7CIAmrh60qg0purp-bZlONxNx6O8zPG6_Lq6Ly7RFC3S280d7Oh8_W8VZrskG1Ppw9aa38GLjcrIgt5ka-Yag0Ph65kCzQsgTFm3Au1YriVjsPwmhq6r7XwKU/s1600/Mu+Front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAzn-HMXbCy5aMMl33mB7CIAmrh60qg0purp-bZlONxNx6O8zPG6_Lq6Ly7RFC3S280d7Oh8_W8VZrskG1Ppw9aa38GLjcrIgt5ka-Yag0Ph65kCzQsgTFm3Au1YriVjsPwmhq6r7XwKU/s320/Mu+Front.jpg" width="320" /></a></div>
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<a href="https://thodolnetlabel.bandcamp.com/album/from-form"><b><br /></b></a>
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<a href="https://thodolnetlabel.bandcamp.com/album/from-form"><b>Ecouter un extrait / <i>Listen to excerpt </i></b></a></div>
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Mélangeant compositions complexes et improvisations inspirées, MÛ déploie avec ce premier disque une musique remarquable et séduisante qui plonge ses racines dans la musique de chambre, le jazz, la pop et le rock, les B.O. de sicence-fiction et la musique électronique.</div>
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Mystiques et sensibles, fastes et intenses, les compositions de <a href="http://yannlecollaire.wix.com/site">Yann Lecollaire</a> et une écoute télépathique amènent les modes d'Olivier Messiaen dans un tout nouvel espace de nuances subtiles et de mélancolie transcendante. </div>
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Sans aucun doute un des plus beaux disques de tout le catalogue Thödol. </div>
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<i>Mixing complex compositions and inspired improvisations, MÛ spreads with this first LP a remarkable and seductive music derived from chamber music, jazz, pop-rock, science fiction soundtrack and electronic music.<br />Mystical and sensitive, lush and intense, <a href="http://yannlecollaire.wix.com/site">Yann Lecollaire</a>'s compositions and telepathic interplay open a new level of subtle nuance and transcendent melancholy in Olivier Messaien's modes.<br />Undoubtedly one of the most beautiful and evocative records in the entire Thödol catalog. </i></div>
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<a href="http://yannlecollaire.wix.com/site">Yann Lecollaire</a> - Clarinet, Programming<br />
Quentin Manfroy - Flute<br />
Eric Bribosia - Keyboards<br />
Benjamin Chaval - Drums, Noises, Electric Table<br />
<br />
Composed and Produced by <span id="goog_1147072986"></span><a href="http://yannlecollaire.wix.com/site">Yann Lecollaire</a><span id="goog_1147072987"></span><br />
<br />
Mixed by Dré Pallemaerts<br />
Recorded by Maxime Gendebien<br />
Design by Vincent Capes<br />
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Recorded in november 2013 @ studio Pyramide - Brussels <br />
Mixed by Dré Pallemaerts<br />
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08/2015 - THO024Thödolhttp://www.blogger.com/profile/07405805245613388706noreply@blogger.com0tag:blogger.com,1999:blog-601677937898126606.post-24357783683818041862015-06-18T09:43:00.001+02:002015-06-18T09:51:50.159+02:00Thérèse Bosc, Laurent Grappe, Bastien Pelenc et Greg Cosenza - ELLE-MÊME<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNiM0exEqqEtv5IHoze_Stk7NgfHNanqrPJw5jyzmByxK22Mhg0iRKNyA6zh8XEZF69vCG2eV8IYSrWo2nOsp70te_zEx8j8qz8HcB2oGXzgZ35VDByGnlbwhBbnAq9ih-GczQYxDQP1U/s1600/Scarabe%25CC%2581e+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNiM0exEqqEtv5IHoze_Stk7NgfHNanqrPJw5jyzmByxK22Mhg0iRKNyA6zh8XEZF69vCG2eV8IYSrWo2nOsp70te_zEx8j8qz8HcB2oGXzgZ35VDByGnlbwhBbnAq9ih-GczQYxDQP1U/s320/Scarabe%25CC%2581e+2.jpg" width="320" /></a></div>
<br />
<div style="text-align: justify;">
<a href="https://thodolnetlabel.bandcamp.com/album/elle-m-me"><b>Ecouter un extrait / <i>Listen to excerpt</i></b></a></div>
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<br /></div>
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Récit épopée d’une puissance évocatrice rare, sorte de roadmovie insolite, échoué quelque part entre théâtre de tréteaux, musique électroacoustique et rumeurs de villes mystérieuses.<br />
<a href="http://tutti.iseop.free.fr/pro/pro-elle-meme/Elle-Meme-web.pdf">Voir le dossier de présentation.</a></div>
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<br /></div>
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<i>Epic story of a rare evocative power, a kind of unusual road movie, stranded somewhere between trestles theater, electroacoustic music and rumors of mysterious cities.</i></div>
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Thierry MARC - text</div>
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<a href="http://grandchahut.free.fr/therese-bosc.htm">Thérèse BOSC</a> - voice<br />
<a href="http://www.izidoria.org/Pub/Artistes_infos/Bio_Laurent_Grappe_mars2011.pdf">Laurent GRAPPE</a> - sampler<br />
Bastien PELENC - violin<br />
Greg COSENZA - spatialization<br />
<br />
Compositions - GRAPPE & PELENC<br />
Arranged by BOSC, GRAPPE & PELENC<br />
Produced by <a href="http://tutti.iseop.free.fr/">TUTTI ISEOP</a><br />
<br />
Recorded by MATTÉO MANONI<br />
at studio Infernal Machine, december 2012<br />
<br />
Mixed by GREG COSENZA with MATTÉO MANONI<br />
at studio Infernal Machine, february 2013<br />
<br />
Mastering MATHIEU MONNOT - Eyemat Mastering<br />
Villerbanne, october 2014<br />
<br />
<a href="http://pierreduhamel.com/">Jean-Pierre DUHAMEL</a> painting<br />
<a href="http://vincentcapes.blogspot.fr/">Vincent CAPES</a> design</div>
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THO023 / 62:57</div>
Thödolhttp://www.blogger.com/profile/07405805245613388706noreply@blogger.com0tag:blogger.com,1999:blog-601677937898126606.post-49815452163082917792015-04-09T19:47:00.001+02:002015-04-09T19:52:12.736+02:00STACKS Boxset DVD<div style="text-align: justify;">
SAXOPHONES</div>
<div style="text-align: justify;">
<a href="http://laurentestoppey.com/">Laurent ESTOPPEY</a> & <a href="http://stevestusek.com/">Steven STUSEK</a><br />
VIDEO</div>
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<a href="http://vincentcapes.blogspot.fr/">Vincent CAPES</a>, <a href="https://chrismcassidy.wordpress.com/">Chris CASSIDY</a>, <a href="http://www.melancholyobjects.org/">Samantha DiROSA</a>, <a href="http://jonathanwallmusic.com/">Jonathan WALL</a><br />
COMPOSITIONS</div>
<div style="text-align: justify;">
<a href="http://www.musicwei.com/">Wei DAI</a>, <a href="http://www.philipglass.com/">Philipp GLASS</a>, <a href="http://www.maurizioguerandi.net/">Maurizio GUERANDI</a>, <a href="http://andrewweathers.com/">Andrew WEATHERS</a>, <a href="http://www.nicholaserich.com/">Nicholas RICH</a></div>
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<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijRaFUBV5xvS1agxkDxjSAXqBStFEHLholnsV-rMdZwBZdTCtPdnmQrF3mPA0ovOW1ldK3SOg0FaPtsRQhDCrJ10Mo04Jjtxcvz3_4gdk9LnobNU04eEYyg9gCHFQkQXijQiueykZW_fM/s1600/IMG_9184.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijRaFUBV5xvS1agxkDxjSAXqBStFEHLholnsV-rMdZwBZdTCtPdnmQrF3mPA0ovOW1ldK3SOg0FaPtsRQhDCrJ10Mo04Jjtxcvz3_4gdk9LnobNU04eEYyg9gCHFQkQXijQiueykZW_fM/s1600/IMG_9184.JPG" height="213" width="320" /></a></div>
<div style="text-align: center;">
<a href="https://vimeo.com/122243000">Voir le trailer</a></div>
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<br />
Reinventing the saxophone recital, STACKS concerts are a seamless stream of saxophones, electronics and video. Based in Greensboro, North Carolina, STACKS has been presenting concerts in the US since 2011. Our repertoire consists primarily of pieces dedicated to the duo. In addition, we collaborate with video artists who create films from and for our compositions, student composers, as well as performance and improvisatory workshops for young artists. Our concerts are typically presented without interruption and bring spectators on a visual and auditory journey. STACKS is also part of <a href="http://laurentestoppey.com/collapss/">COLLective for hAPpy SoundS (COLLAPSS)</a>, a collective of musicians, composers, dancers, and visual artists based in Greensboro, North Carolina.</div>
<div style="text-align: justify;">
<br />
Boxset DVD including 6 films:<br />
<i><b>YOU MAY BURY ME IN THE EAST</b></i><br />
Film - <a href="http://vincentcapes.blogspot.fr/">Vincent CAPES</a> / Composition - <a href="http://andrewweathers.com/">Andrew WEATHERS</a><br />
2014 - Couleurs - Stéréo - 8:05</div>
<div style="text-align: justify;">
<br />
<i><b>PIECE IN A SHAPE OF A SQUARE</b></i><br />
Film - <a href="https://chrismcassidy.wordpress.com/">Chris CASSIDY</a> / Composition - <a href="http://www.philipglass.com/">Philip GLASS</a><br />
2014 - Couleurs - Stéréo - 11:48</div>
<div style="text-align: justify;">
<br />
<i><b>ZAP NO ZAP</b></i><br />
Film - <a href="https://chrismcassidy.wordpress.com/">Chris CASSIDY</a> / Composition - <a href="http://laurentestoppey.com/">Laurent ESTOPPEY</a><br />
2014 - Couleurs - Stéréo - 4:23</div>
<div style="text-align: justify;">
<br />
<i><b>RICOCHET</b></i><br />
Film - <a href="http://www.melancholyobjects.org/">Samantha DiROSA</a> / Composition - <a href="http://www.maurizioguerandi.net/">Maurizio GUERANDI</a><br />
2014 - Couleurs - Stéréo - 7:40</div>
<div style="text-align: justify;">
<br />
<i><b>IF I'M LOST-NOW</b></i><br />
Film - <a href="http://www.melancholyobjects.org/">Samantha DiROSA</a> / Composition - <a href="http://www.musicwei.com/">Wei DAI</a><br />
2014 - Noir & Blanc - Stéréo - 5:46</div>
<div style="text-align: justify;">
<br />
<i><b>ON REPEATS</b></i><br />
Film - <a href="http://jonathanwallmusic.com/">John WALL</a> / Composition - <a href="http://www.nicholaserich.com/">Nicholas RICH</a><br />
2014 - Couleurs - Stéréo - 7:36</div>
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Thödolhttp://www.blogger.com/profile/07405805245613388706noreply@blogger.com0tag:blogger.com,1999:blog-601677937898126606.post-71049744881294458832015-03-10T15:03:00.000+01:002015-03-10T16:28:39.917+01:00QUADRILATERE Volume 1<div class="separator" style="clear: both; text-align: center;">
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<b style="mso-bidi-font-weight: normal;"><span lang="FR" style="font-family: "Avenir Next Condensed Regular";"><a href="https://thodolnetlabel.bandcamp.com/album/quadrilatere-volume-1">Ecouter des extraits de l'album / <i>Listen to excerpts</i></a> </span></b></div>
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<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="mso-bidi-font-weight: normal;"><span lang="FR" style="font-family: "Avenir Next Condensed Regular";">Quatre musiciens créent
chacun un morceau remixé successivement par les trois autres. </span></span></div>
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<i><span style="mso-bidi-font-weight: normal;"><span lang="FR" style="font-family: "Avenir Next Condensed Regular";">Four musicians each create
a piece successively remixed by the three others.</span></span></i></div>
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<br /></div>
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<span lang="FR" style="font-family: "Avenir Next Condensed Regular";"><a href="http://www.thomasbarriere.com/">Thomas Barrière</a> - P</span><span lang="FR" style="font-family: "Avenir Next Condensed Regular"; mso-bidi-font-family: Helvetica;">repared guitar, toy piano, field recordings,
laptop</span></div>
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<span lang="FR" style="font-family: "Avenir Next Condensed Regular"; mso-bidi-font-family: Helvetica;"><a href="http://laurentestoppey.com/">Laurent Estoppey</a> - Saxophone, laptop</span></div>
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<span lang="FR" style="font-family: "Avenir Next Condensed Regular"; mso-bidi-font-family: Helvetica;">Gergely Suto - Laptop</span></div>
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<span lang="FR" style="font-family: "Avenir Next Condensed Regular"; mso-bidi-font-family: Helvetica;"><a href="https://andrewweathers.bandcamp.com/">Andrew Weathers</a> - Synthesizer, field recordings,
guitar, laptop</span></div>
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<br /></div>
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<span lang="FR" style="font-family: "Avenir Next Condensed Regular";">All compositions by Thomas Barrière, Laurent Estoppey, Gergely Suto and Andrew Weathers</span></div>
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</div>
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<span lang="FR" style="font-family: "Avenir Next Condensed Regular";">Recorded
December 2014/January 2015</span></div>
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<span lang="FR" style="font-family: "Avenir Next Condensed Regular";">Mastered
by Andrew Weathers</span><br />
<span lang="FR" style="font-family: "Avenir Next Condensed Regular";">Artistic director - Laurent Estoppey </span></div>
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<span lang="FR" style="font-family: "Avenir Next Condensed Regular";">Producer - Thödol (a project of <a href="http://www.zoanima.fr/">ANIMA</a>) </span></div>
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<span lang="FR" style="font-family: "Avenir Next Condensed Regular";">Artwork - <a href="http://hippolytehentgen.tumblr.com/">Hippolyte Hentgen</a></span></div>
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<span lang="FR" style="font-family: "Avenir Next Condensed Regular";">Design - <a href="http://vincentcapes.blogspot.fr/">Vincent Capes </a></span></div>
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<br /></div>
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<b><span lang="FR" style="font-family: "Avenir Next Condensed Regular";">ACHETER LE DISQUE / <i>BUY CD </i></span></b></div>
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<span lang="FR" style="font-family: "Avenir Next Condensed Regular";">THO022 - 03/2015</span></div>
Thödolhttp://www.blogger.com/profile/07405805245613388706noreply@blogger.com0tag:blogger.com,1999:blog-601677937898126606.post-30296599639461927392015-03-10T13:54:00.001+01:002015-03-10T14:14:15.915+01:00COFFRET Yann Lecollaire<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyP3Xt6eCbDqDJazLbE5yxDAd6NizVafsWkCgkTEY2t4lWtkJMQKeXefdEr93sjPVwAYp-ezeDR9XlwBuxEZyhNEY3E0xorE9UgQzC4LO65eZZfmIHZWvRFR8q4vAUe-Cp_r9cZ7Awupg/s1600/Yann+Lecollaire.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyP3Xt6eCbDqDJazLbE5yxDAd6NizVafsWkCgkTEY2t4lWtkJMQKeXefdEr93sjPVwAYp-ezeDR9XlwBuxEZyhNEY3E0xorE9UgQzC4LO65eZZfmIHZWvRFR8q4vAUe-Cp_r9cZ7Awupg/s1600/Yann+Lecollaire.jpg" height="90" width="320" /></a></div>
<br />
<a href="https://thodolnetlabel.bandcamp.com/album/coffret-yann-lecollaire"><b>Ecouter des extraits / <i>Listen to excerpts</i></b></a><br />
<br />
<div style="text-align: justify;">
<a href="http://yannlecollaire.wix.com/site">Yann Lecollaire</a> développe une musique aux ambiances mystérieuses et hypnotiques d’où se dégage une aura sombre, empreinte de mélancolie, qui plonge ses racines autant dans la musique de chambre que la pop ou le jazz contemporain.</div>
<div style="text-align: justify;">
Lyriques, beaux, mystiques et sensibles, ces disques nous proposent d’explorer les ramifications d’un monde riche et fascinant, rempli de trésors et de merveilles. Une perpétuelle recherche de musiques singulières où tradition et éléments contemporains se confondent.</div>
<div style="text-align: justify;">
Témoignage musical d’un compositeur cherchant inlassablement de nouvelles voies musicales, ce coffret, regroupant 5 disques parus sur Thödol explore les profondeurs et les facettes d’un artiste qui continue de créer sa propre vision de la musique moderne.</div>
<div style="text-align: justify;">
<b><br /></b></div>
<b>ACHETER LE COFFRET /<i> BUY THE BOX </i></b><br />
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<br />
Coffret contenant 5 disques - 169 min. - 2010/2013</div>
Thödolhttp://www.blogger.com/profile/07405805245613388706noreply@blogger.com0tag:blogger.com,1999:blog-601677937898126606.post-85150622747303015822014-05-27T15:27:00.000+02:002014-06-04T15:20:20.695+02:00 Laurent Estoppey - LA RENCONTRE DE L'IMMOBILE <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXZER4bNZptiJugdtog_4BKw_gP-njMv2sjlRqCxNgrx-WSaS0ia6NPNSIeidV_iooj9J9KVa3W3B69rVTuWobSXrn9Of908_mehTk-p5WNTZr9Ka3GgxgW7osh7A840ZPSQDmq36NKqM/s1600/13+-+Laurent+Estoppey+Concert.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXZER4bNZptiJugdtog_4BKw_gP-njMv2sjlRqCxNgrx-WSaS0ia6NPNSIeidV_iooj9J9KVa3W3B69rVTuWobSXrn9Of908_mehTk-p5WNTZr9Ka3GgxgW7osh7A840ZPSQDmq36NKqM/s1600/13+-+Laurent+Estoppey+Concert.jpg" height="315" width="320" /></a></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<a href="http://thodolnetlabel.bandcamp.com/album/laurent-estoppey-la-rencontre-de-limmobile"><b>Ecouter l'album / <i>Listen to the album</i></b></a></div>
<div style="text-align: justify;">
<br />
<a href="http://www.mediafire.com/listen/3b7x6bo946944db/immobile_mix.mp3">Télécharger l'album <i>/ Download the album</i></a><br />
<br /></div>
<div style="text-align: justify;">
<b>ACHETER LE CD / <i>BUY CD</i></b></div>
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<div style="text-align: justify;">
<br />
<a href="http://laurentestoppey.com/encounter/">ET LE VINYLE / <i>AND THE VINYL</i></a><br />
<br /></div>
<div style="text-align: justify;">
<a href="http://laurentestoppey.com/">Laurent Estoppey</a> est un des meilleurs représentants de la nouvelle génération de musiciens alliant la spontanéité de l'improvisation avec la logique formelle de la composition. Faisant preuve d’une grande inventivité, ce saxophoniste à l’imagination débordante combine jazz contemporain, noise et musique d'avant-garde avec un humour, un certain charme et un sens de l’émerveillement infaillible. </div>
<div style="text-align: justify;">
Pour son tout premier disque sur Thödol, Laurent nous livre une musique unique au-delà des lieux communs. Il propose une remarquable suite de morceaux (dont 2 inspirés par <a href="http://fr.wikipedia.org/wiki/Christian_Gabrielle_Guez_Ricord">Christian-Gabriel/le Guez Ricord</a>) explorant les sonorities de son instruments et les détériorations générées par le programme Max / MSP. </div>
<div style="text-align: justify;">
Son expérience dans ce type d'hybridation (acoustique et électrique) est sauvage et passionnante. Il déploie des atmosphères hallucinées où la virtuosité instrumentale se marie aux sonorités électroacoustiques d’une manière étonnante. Mystère, lyrisme, paysages sonores généreux, harmoniques délicates, ambiances étranges, travail sur le son et la texture... Un disque surprenant de cet infatigable musicien qui navigue continuellement entre la Suisse et les États-Unis.</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<i>Representing some of the best in the new generation of musicians combining the spontaneity of improvisation with the formal logic of composition, <a href="http://laurentestoppey.com/">Laurent Estoppey</a> is a saxophone player of great imagination whose work brings together noise, contemporary jazz and avant‐garde music with wit and a charming sense of wonder. </i></div>
<div style="text-align: justify;">
<i>For his very first Thödol CD, Laurent gives us unique cutting edge music where he has put together remarkable program of pieces (including 2 inspired by Christian Guez Ricord) drawing upon autogenerative deterioration by Max/MSP programming and quadriphony. </i></div>
<div style="text-align: justify;">
<i>His sonic experiment in the kind of hybridization of acoustic and electric music is wild and exciting. It often uses sound sources creating a hallucinatory atmosphere that blend instrumental virtuosity and electro acoustic sonorities in startling new ways. Mystery, lyricism, electronic soundscapes, lush sonorities, delicate harmonics, odd ambients, sound, texture... A lot of surprises from this marvelous voice from Switzerland to Greensboro, USA. </i></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<a href="http://laurentestoppey.com/">Laurent Estoppey</a> - Alto sax, electronics </div>
<div style="text-align: justify;">
Loud speakers placed in saxophone bell </div>
<div style="text-align: justify;">
Texts by <a href="http://fr.wikipedia.org/wiki/Christian_Gabrielle_Guez_Ricord">Christian G. Guez Ricord </a> </div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Visual - <a href="http://tristinmiller.tumblr.com/">Tristin Miller</a><a href="https://www.blogger.com/null"> </a></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Recorded in may 2012 at UNCG, Greensboro, NC </div>
<div style="text-align: justify;">
by Ned Emerson, Brian Koenig, Steve Landis, Nicholas Rich & Jonathan Wall </div>
<div style="text-align: justify;">
Mixed by <a href="http://laurentestoppey.com/">Laurent Estoppey </a></div>
<div style="text-align: justify;">
Mastered by Andrew Weathers<br />
<br />
<div style="text-align: center;">
<a href="http://laurentestoppey.com/encounter/"><b>Vinyle disponible ICI / <i>Vinyl available HERE </i></b></a></div>
</div>
<div style="text-align: justify;">
<div style="text-align: center;">
<span style="color: red;"><br /></span></div>
<div style="text-align: center;">
<span style="color: red;"><b>Télécharger l'album /<i> Download the album</i></b></span></div>
<div style="text-align: center;">
<a href="http://www.mediafire.com/listen/3b7x6bo946944db/immobile_mix.mp3"><b>MP3</b></a></div>
<div style="text-align: center;">
<a href="http://www.mediafire.com/download/0844ol0tfa8mdxf/Laurent_Estoppey_-_The_Encounter_of_the_Immobile_(THODOL_2014)_Part_I.aif"><b>AIFF part I</b></a></div>
<div style="text-align: center;">
<a href="http://www.mediafire.com/download/lcibj5qlc38ji55/Laurent_Estoppey_-_The_Encounter_of_the_Immobile_(THODOL_2014)_Part_II.aif"><b>AIFF part II</b></a></div>
<div style="text-align: center;">
<a href="http://www.mediafire.com/download/n9xh93qz13n82uq/Laurent_Estoppey_-_The_Encounter_of_the_Immobile_(THODOL_2014)_Part_III.aif"><b>AIFF part III</b></a></div>
<div style="text-align: center;">
<a href="http://www.mediafire.com/download/ih9cec36lpmaj05/Laurent_Estoppey_-_The_Encounter_of_the_Immobile_(THODOL_2014)_Part_IV.aif"><b>AIFF part IV</b></a></div>
<br /></div>
<div style="text-align: justify;">
<i>With the support of the North Carolina Arts Council & the Partnering Arts Councils of the Regional Artists Project Grant Program</i></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
THO012 - 05/2014 </div>
<div style="text-align: justify;">
CD time 41:13</div>
<div style="text-align: justify;">
<br /></div>
Thödolhttp://www.blogger.com/profile/07405805245613388706noreply@blogger.com0tag:blogger.com,1999:blog-601677937898126606.post-55504753025015241932014-04-17T12:44:00.000+02:002014-05-27T15:35:21.143+02:00Thomas Barrière - PRIMAIRE<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjR7G75EeEttflikQ5oFdsU2iSwsQp20fbpYHHPePoU13CA5TLCGjsDzzPGeLsp6exVqVrhPEjLYdAfuZhz1KBRqgcJIeZq-6-vfQUxDfkqPWgE3qd0lVXYcng6lXG8Ix0IIDp9Z_cf_B4/s1600/PRIMAIRE+visuel.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjR7G75EeEttflikQ5oFdsU2iSwsQp20fbpYHHPePoU13CA5TLCGjsDzzPGeLsp6exVqVrhPEjLYdAfuZhz1KBRqgcJIeZq-6-vfQUxDfkqPWgE3qd0lVXYcng6lXG8Ix0IIDp9Z_cf_B4/s1600/PRIMAIRE+visuel.jpg" height="315" width="320" /></a></div>
<br />
<div style="font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 21px; margin-bottom: 1.3em; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">
<span style="color: #cccccc;"><a data-mce-href="http://thodol.blogspot.fr/" href="http://thodol.blogspot.fr/"><b>THÖDOL</b></a><span class="Apple-converted-space"> </span>et<span class="Apple-converted-space"> </span><b>ANIMA</b><span class="Apple-converted-space"> </span>sont extrêmement fiers de vous proposer le tout 1er album solo du jeune guitariste<span class="Apple-converted-space"> </span><a data-mce-href="http://www.thomasbarriere.com/" href="http://www.thomasbarriere.com/"><b>Thomas Barrière</b></a><span class="Apple-converted-space"> </span>!</span></div>
<div style="font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 21px; margin-bottom: 1.3em; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">
<span style="color: #cccccc;">Dans son livre sur l'improvisation, le guitariste anglais Derek Bailey écrit : « <i>Continuer
d’improviser en solo de façon intéressante est une entreprise ardue.
Même s’il devient plus facile de jouer seul, il ne devient pas plus
facile pour autant d’improviser.</i> »</span></div>
<div style="font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 21px; margin-bottom: 1.3em; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">
<span style="color: #cccccc;">Bien que le style de<span class="Apple-converted-space"> </span><a data-mce-href="http://www.thomasbarriere.com/" href="http://www.thomasbarriere.com/">Thomas Barrière</a><span class="Apple-converted-space"> </span>soit
reconnaissable, il montre une capacité remarquable à non seulement se
tordre et inventer des sons complètement nouveaux à la guitare, mais il
tente de trouver de nouvelles approches à l’improvisation individuelle.</span></div>
<div style="font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 21px; margin-bottom: 1.3em; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">
<a href="http://thodolnetlabel.bandcamp.com/album/thomas-barri-re-primaire"><span style="color: #cccccc;"><b><i> Ecouter quelques extraits de l'album</i></b></span></a><br />
<span style="color: #cccccc;"></span></div>
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<b><span style="color: #cccccc;">ACHETER LE DISQUE</span></b><span style="color: #cccccc;"><b> </b></span></div>
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<span style="color: #cccccc;">Compositions -<span class="Apple-converted-space"> </span><a data-mce-href="http://www.thomasbarriere.com/" href="http://www.thomasbarriere.com/">Thomas BARRIERE</a><span data-mce-style="font-family: 'Times New Roman';" style="font-family: 'Times New Roman';"> </span></span><br />
<br />
<span style="color: #cccccc;"><span data-mce-style="font-family: 'Times New Roman';" style="font-family: 'Times New Roman';">Recorded and mixed by Matteo Mannoni for<span class="Apple-converted-space"> </span><a data-mce-href="http://www.infernalemachine.com" href="http://www.infernalemachine.com/">Infernale Machine</a><span class="Apple-converted-space"> </span>at St-Félix chapel (Béziers, France) </span></span><br />
<span style="color: #cccccc;"><span data-mce-style="font-family: 'Times New Roman';" style="font-family: 'Times New Roman';">Mastering - Taylor Deupree / 12K </span>Mastering</span><br />
<span style="color: #cccccc;">Produced by<span class="Apple-converted-space"> </span><a data-mce-href="http://www.thomasbarriere.com/" href="http://www.thomasbarriere.com/">Thomas Barrière </a><span data-mce-style="font-family: 'Times New Roman';" style="font-family: 'Times New Roman';"> </span></span></div>
<div style="font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 21px; margin-bottom: 1.3em; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">
<span style="color: #cccccc;"><span data-mce-style="font-family: 'Times New Roman';" style="font-family: 'Times New Roman';">Portrait -<span class="Apple-converted-space"> </span><a data-mce-href="http://arbrepayday.blogspot.fr" href="http://arbrepayday.blogspot.fr/">Arbre</a> </span></span><br />
<span style="color: #cccccc;"><span data-mce-style="font-family: 'Times New Roman';" style="font-family: 'Times New Roman';">Inside pics -<span class="Apple-converted-space"> </span><a data-mce-href="http://nina-reumaux.blogspot.fr" href="http://nina-reumaux.blogspot.fr/">Nina Reumaux </a></span></span></div>
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<span style="color: #cccccc;">THO020 - 04/2014</span><br />
<span style="color: #cccccc;"><br /></span></div>
Thödolhttp://www.blogger.com/profile/07405805245613388706noreply@blogger.com0tag:blogger.com,1999:blog-601677937898126606.post-17342870869539366412014-04-17T12:16:00.000+02:002014-05-27T15:39:32.955+02:00Ordre & Progrès - IMITATIONS RITUELLES<style>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeLQXGvQds4gO-5zOxYr-rAbCoQlxeQRDFonZescjyPsP0OXuSi6X1JWCUCvCkTO_jTlI1dt_kHE9d3eTf0aVwmrJ7qRSrnAYF47Bgtk-IvF9VQsei0H7pPq4f5MrpmE-8ntXnAYtkfYI/s1600/O&P.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeLQXGvQds4gO-5zOxYr-rAbCoQlxeQRDFonZescjyPsP0OXuSi6X1JWCUCvCkTO_jTlI1dt_kHE9d3eTf0aVwmrJ7qRSrnAYF47Bgtk-IvF9VQsei0H7pPq4f5MrpmE-8ntXnAYtkfYI/s1600/O&P.jpg" height="320" width="317" /></a></div>
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<span lang="FR" style="font-family: "Times New Roman"; font-size: 10.0pt;"><span style="mso-spacerun: yes;"> </span>« <i style="mso-bidi-font-style: normal;">Nous avons tendance à penser les sociétés à
partir de leur état normal, dans leur fonctionnement quotidien tel que le
décrivent des gens bien tranquilles qui ne pensent pas la violence.</i><span style="mso-spacerun: yes;"> </span>(…) <i style="mso-bidi-font-style: normal;">s’il
y a un ordre normal dans les sociétés, il doit être le fruit d’une crise
antérieure, il doit être la résolution de cette crise. C’est donc celle-ci
qu’il faut chercher et interroger.</i> » </span></div>
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<span lang="FR" style="font-family: "Times New Roman"; font-size: 10.0pt;">René Girard, <b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">Quand ces choses commenceront</i></b>, Arléa
1994</span></div>
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<br />
<a href="http://thodolnetlabel.bandcamp.com/album/ordre-progr-s-imitations-rituelles"><b><i>Ecouter un extrait de l'album</i></b></a><br />
<br />
<b>ACHETER L'ALBUM</b><br />
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<span lang="FR" style="font-family: "Times New Roman"; font-size: 12.0pt;">Aujourd’hui plus que jamais, la musique est de
plus en plus reproduite, jusqu’au vertige, jusqu’à la nausée. </span><span lang="FR" style="font-family: "Times New Roman"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Non, la musique n’a jamais adoucit les
mœurs. La musique est envahissante, elle agresse, elle est coupable et partout
présente. Elle remplit et comble le vide sonore qui angoisse, elle réchauffe,
elle rassure et meuble la peur du silence. </span><span lang="FR" style="font-family: "Times New Roman"; font-size: 12.0pt;">L’oreille pourrait se
dissoudre dans le magma impersonnel qu’engendre ce conglomérat de musique de
grande surface. Reproduite, mais de moins en moins utilisée. A l’extrême opposé
de ce qu’elle était au départ, la musique est devenue un son non désiré. Elle a
depuis longtemps traversée la frontière qui la séparait du bruit. Un ancien mot
français a donné le mot anglais <i style="mso-bidi-font-style: normal;">noise</i>.
Le même qui est resté dans l’expression « <i style="mso-bidi-font-style: normal;">chercher des noises</i> ». </span><span lang="FR" style="font-family: "Times New Roman"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
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<span lang="FR" style="font-family: "Times New Roman"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Une des pistes pour tenter de comprendre la musique
industrielle serait de se<i style="mso-bidi-font-style: normal;"> </i>demander
en quoi la musique (celle rythmique, mélodique, verbale) peut servir l’œuvre de
l’Etat (et par extrapolation, via l’imagerie véhiculée par ces courants
musicaux, en quoi elle a pu servir l’œuvre des nazis dans les camps). Mais cet
angle de réflexion n’est pas juste. Il ne faut pas, comme Vladimir Jankélévitch
refusant d’écouter et d’interpréter de la musique allemande, lui conférer un
caractère désastreux et absolu. Il faut déplacer la question en se demandant en
quoi, dans son essence même, la musique est susceptible de servir le travail du
pouvoir en place. Le « <i style="mso-bidi-font-style: normal;">en quoi</i> » peut
être un premier pas vers le « <i style="mso-bidi-font-style: normal;">pourquoi</i>
», et peut permettre de dépasser les interprétations classiques (l’idéologie,
la manipulation, ou dans le cas de la Seconde Guerre Mondiale, le sadisme des
officiers allemands utilisant des orchestre dans les camps). Ce n’est pas la
barbarie contre la civilisation, ou le sadisme contre le raffinement. Ce sont des
retrouvailles, dans des conditions certes plus ou moins inattendues ou
inespérées, mais ce sont bel et bien les retrouvailles du pouvoir originel de
la musique et de l’ordre mortifère. </span></div>
<div class="MsoNormal" style="margin-bottom: 6.0pt; mso-line-height-alt: 1.0pt; text-align: justify; text-indent: 35.4pt;">
<span lang="FR" style="font-family: "Times New Roman"; font-size: 12.0pt;">Si la fonction de la musique est de convoquer,
comment entendre une musique sans lui obéir ? Les technologies de
reproduction mécanique renvoient l’auditeur à la fonction première de la
musique : libérer la violence originaire et montrer la maîtrise qu’opère
le son. Les fascismes le savent, ils sont nés dans les haut-parleurs et grandirent
à la télévision. Mais la musique diffusée sur les ondes ne se dévisage pas et
ne s’envisage même plus. Il n’y a pas de visage donc plus de rencontre
possible. </span><span lang="FR" style="font-family: "Times New Roman"; font-size: 10.0pt;"></span></div>
<div class="MsoNormal" style="margin-bottom: 6.0pt; mso-line-height-alt: 1.0pt; text-align: justify; text-indent: 35.4pt;">
<span lang="FR" style="font-family: "Times New Roman"; font-size: 12.0pt;">L’impossibilité de communiquer est le fantôme
qui hante toute l’œuvre de William Burroughs (et on retrouve cette difficulté
de rentrer en relation avec l’autre magnifiée dans les contorsions des corps dans les discussions du film de David Cronenberg <b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">Le Festin Nu</i></b>). Comme les
deux points clignotants sur le réveil indiquent la présence du fantôme du
balancier des horloges, la <i style="mso-bidi-font-style: normal;">Power
Electronics </i>conserve en « <i style="mso-bidi-font-style: normal;">bruit
de fond</i> » la douleur de l’incommunicabilité de l’homme. Les anciens
chinois avaient pour habitude de dire que la musique d’une époque en dit long
sur l’état de la société. Toute société a la musique qu’elle mérite. </span></div>
<div class="MsoNormal" style="margin-bottom: 6.0pt; mso-line-height-alt: 1.0pt; text-align: justify; text-indent: 35.4pt;">
<span lang="FR" style="font-family: "Times New Roman"; font-size: 12.0pt;">Si une fin de la société actuelle est probable,
si sa défaite est concevable, alors tout doit être précipité. Voilà le
leitmotiv de la musique industrielle. Elle ne laisse pas d’espoir. Elle fait
déchanter. Ou plutôt elle désenchante. Désenchanter, c’est donner une porte de
sortie à celui qui entend le chant de l’obéissance. C’est exorciser, et <i style="mso-bidi-font-style: normal;">ex</i>-orciser, c’est amener l’esprit
dehors, le fixer sur autre chose. Voilà le fond de la musique industrielle.</span></div>
<div class="MsoNormal" style="margin-bottom: 6.0pt; mso-line-height-alt: 1.0pt; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 6.0pt; mso-line-height-alt: 1.0pt; text-align: justify;">
<u><span lang="FR" style="font-family: "Times New Roman"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">N.B.</span></u><span lang="FR" style="font-family: "Times New Roman"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> : A écouter aussi fort que
possible.</span></div>
<div class="MsoNormal" style="margin-bottom: 6.0pt; mso-line-height-alt: 1.0pt; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 6.0pt; mso-line-height-alt: 1.0pt; text-align: justify;">
<span lang="FR" style="font-family: "Times New Roman"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Elliot :
Synthétiseur (<i style="mso-bidi-font-style: normal;">Synthetizer</i>)</span></div>
<div class="MsoNormal" style="margin-bottom: 6.0pt; mso-line-height-alt: 1.0pt; text-align: justify;">
<span lang="FR" style="font-family: "Times New Roman"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">U235 :
Sampler</span></div>
<div class="MsoNormal" style="margin-bottom: 6.0pt; mso-line-height-alt: 1.0pt; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 6.0pt; mso-line-height-alt: 1.0pt; text-align: justify;">
<span lang="FR" style="font-family: "Times New Roman"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Compositions :
Ordre & Progrès</span></div>
<div class="MsoNormal" style="margin-bottom: 6.0pt; mso-line-height-alt: 1.0pt; text-align: justify;">
<span lang="EN-US" style="font-family: "Times New Roman"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Enregistrement et Mixage (<i style="mso-bidi-font-style: normal;">recording
and mixing</i>) : </span><span lang="FR" style="font-family: "Times New Roman"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Ordre & Progrès</span><span lang="EN-US" style="font-family: "Times New Roman"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
<div class="MsoNormal" style="margin-bottom: 6.0pt; mso-line-height-alt: 1.0pt; text-align: justify;">
<span lang="FR" style="font-family: "Times New Roman"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Graphisme (<i style="mso-bidi-font-style: normal;">Design</i>) : U235</span></div>
<div class="MsoNormal" style="margin-bottom: 6.0pt; mso-line-height-alt: 1.0pt; text-align: justify;">
<span lang="FR" style="font-family: "Times New Roman"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">THO019 –
12/2013</span></div>
<div class="MsoNormal" style="margin-bottom: 6.0pt; mso-line-height-alt: 1.0pt; text-align: justify;">
<span lang="FR" style="font-family: "Times New Roman"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">CD
Time : 31:05 </span></div>
Thödolhttp://www.blogger.com/profile/07405805245613388706noreply@blogger.com0tag:blogger.com,1999:blog-601677937898126606.post-30975530430912951602013-09-01T20:14:00.001+02:002013-09-01T20:14:43.704+02:00Yann Lecollaire – MNESIE<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhL7at3PK7zN9UVeE_FlF7IBxV8Be90whXcISL3qiO4O3sG4eatfjgE4VmGy5SxYEM2FPzIwjiiRo5-KPbT8JFB5YZMiNVXOJY-19aRyrc2Zj4cX05UUSQ5YQVlu7zLM1fQ2X6eQNuBKmA/s1600/Recto.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="319" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhL7at3PK7zN9UVeE_FlF7IBxV8Be90whXcISL3qiO4O3sG4eatfjgE4VmGy5SxYEM2FPzIwjiiRo5-KPbT8JFB5YZMiNVXOJY-19aRyrc2Zj4cX05UUSQ5YQVlu7zLM1fQ2X6eQNuBKmA/s320/Recto.jpg" width="320" /></a></div>
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<a href="http://www.mediafire.com/download/ki28q606qkpt76f/Yann_Lecollaire_-_Mn%C3%A9sie_(THO018).rar"><b><span style="font-size: x-small;"><span lang="EN-US" style="font-family: "Times New Roman","serif";">Télécharger l'album /<i> Download the album</i></span></span></b></a></div>
<div class="MsoNormal" style="margin-bottom: 6.0pt; mso-line-height-alt: 1.0pt; text-align: justify;">
<br /></div>
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<span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US;"><a href="http://thodolnetlabel.bandcamp.com/album/mn-sie"><b>Ecouter l'album / <i>Listen to album</i></b></a> </span></div>
<br />
<div class="MsoNormal" style="margin-bottom: 6.0pt; mso-line-height-alt: 1.0pt; text-align: justify;">
<span style="font-family: "Times New Roman","serif";">Continuant
inlassablement d’explorer son univers musical, <span style="mso-spacerun: yes;"> </span>c’est par le haut et le bas, par les cimes et
les gouffres que <a href="http://lecollaireyann.wix.com/site">Yann LECOLLAIRE</a> cherche ses limites. Toujours par le prisme de
Messiaen, il part cette fois à la rencontre des territoires de Terry Riley, de Steve
Coleman et de Octurn. </span></div>
<div class="MsoNormal" style="margin-bottom: 6.0pt; mso-line-height-alt: 1.0pt; text-align: justify;">
<span style="font-family: "Times New Roman","serif";">A travers ces trois
hommages, <a href="http://lecollaireyann.wix.com/site">Yann LECOLLAIRE</a> façonne un monde rempli de trésors et déploie le
potentiel de ses compositions dans des nouveaux espaces. Ceux d’un musicien
dont on ne se lasse pas de voir les évolutions et les recherches tant formelles
que fondamentales. </span></div>
<div class="MsoNormal" style="margin-bottom: 6.0pt; mso-line-height-alt: 1.0pt; text-align: justify;">
<span style="font-family: "Times New Roman","serif";">Une profonde mélancolie
traverse cet EP, mais une mélancolie lumineuse. Et c’est avec délicatesse,
amour et élégance que le compositeur <span style="mso-spacerun: yes;"> </span>nous la fait ressentir. </span></div>
<div class="MsoNormal" style="margin-bottom: 6.0pt; mso-line-height-alt: 1.0pt; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 6.0pt; mso-layout-grid-align: none; mso-line-height-alt: 1.0pt; text-align: justify; text-autospace: none;">
<i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-language: FR;">Tirelessly continuing to
explore his musical universe, it’s by above and below, by peaks and chasms,
<a href="http://lecollaireyann.wix.com/site">Yann LECOLLAIRE</a> seeks limits. Always through Messiaen’s prism, he meets this
time Terry Riley, Steve Coleman and Octurn’s territories.</span></i></div>
<div class="MsoNormal" style="margin-bottom: 6.0pt; mso-layout-grid-align: none; mso-line-height-alt: 1.0pt; text-align: justify; text-autospace: none;">
<i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-language: FR;">With these three tributes,
<a href="http://lecollaireyann.wix.com/site">Yann LECOLLAIRE</a> creates a world filled with treasures and unfolds the potential
of his compositions into new areas. And we never bored to see these musician’s changes
and research both formal and fundamental.</span></i></div>
<div class="MsoNormal" style="margin-bottom: 6.0pt; mso-layout-grid-align: none; mso-line-height-alt: 1.0pt; text-align: justify; text-autospace: none;">
<i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US; mso-fareast-language: FR;">A deep melancholy haunts this
EP, but a bright melancholy. The composer makes us feel it with delicacy,
elegance and love.</span></i></div>
<div class="MsoNormal" style="margin-bottom: 6.0pt; mso-line-height-alt: 1.0pt; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 6pt; text-align: center;">
<a href="http://www.mediafire.com/download/ki28q606qkpt76f/Yann_Lecollaire_-_Mn%C3%A9sie_(THO018).rar"><b><span style="color: red;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US;">Télécharger l'album /<i> Download the album</i></span></span></b></a></div>
<div class="MsoNormal" style="margin-bottom: 6.0pt; mso-line-height-alt: 1.0pt; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 6.0pt; mso-line-height-alt: 1.0pt; text-align: justify;">
<span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US;">All instruments by <a href="http://lecollaireyann.wix.com/site"><b>Yann LECOLLAIRE</b></a></span></div>
<div class="MsoNormal" style="margin-bottom: 6.0pt; mso-line-height-alt: 1.0pt; text-align: justify;">
<span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US;">Composed by <b><a href="http://lecollaireyann.wix.com/site">Yann LECOLLAIRE</a></b></span></div>
<div class="MsoNormal" style="margin-bottom: 6.0pt; mso-line-height-alt: 1.0pt; text-align: justify;">
<span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US;">Recorded during July 2013</span></div>
<div class="MsoNormal" style="margin-bottom: 6.0pt; mso-line-height-alt: 1.0pt; text-align: justify;">
<span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US;">At 21 Moineaux</span></div>
<div class="MsoNormal" style="margin-bottom: 6.0pt; mso-line-height-alt: 1.0pt; text-align: justify;">
<span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US;">Design by Vincent Capes</span></div>
<div class="MsoNormal" style="margin-bottom: 6.0pt; mso-line-height-alt: 1.0pt; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 6.0pt; mso-line-height-alt: 1.0pt; text-align: justify;">
<span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US;">THO 018 - 09/2013</span></div>
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<span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US;">CD time 23:01 </span></div>
<div class="MsoNormal" style="margin-bottom: 6.0pt; mso-line-height-alt: 1.0pt; text-align: justify;">
<br /></div>
Thödolhttp://www.blogger.com/profile/07405805245613388706noreply@blogger.com0tag:blogger.com,1999:blog-601677937898126606.post-11581687553039231292013-06-26T18:01:00.002+02:002013-06-26T18:03:13.479+02:00Pan – MA SHAV<div class="MsoNormal" style="text-align: justify;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBBapWuksU2xKB8Er6AdoPEoxhO07BJBfEHlXcHL98DrXx5f-vhnclFAbw5YgDxVkAToMaTqqXejzHQoeltrglkY9-WMRyq8nLWaXaZINREkW5sL2NSrgsnfX9jcOFD516vNDK_lg5VYQ/s1600/Pan+01+Front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBBapWuksU2xKB8Er6AdoPEoxhO07BJBfEHlXcHL98DrXx5f-vhnclFAbw5YgDxVkAToMaTqqXejzHQoeltrglkY9-WMRyq8nLWaXaZINREkW5sL2NSrgsnfX9jcOFD516vNDK_lg5VYQ/s320/Pan+01+Front.jpg" width="320" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman","serif";"> <a href="http://www.mediafire.com/download/etanqukr1e8qlbg/PAN_-_Ma_Shav_(THO017).rar"><span style="font-size: x-small;">Télécharger l'album / <i>Download the album</i></span></a></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman","serif";"> </span></b></div>
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<a href="http://thodolnetlabel.bandcamp.com/album/ma-shav"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman","serif";">Ecouter l'album /<i> Listen to the album</i></span></b></a></div>
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<span style="font-family: "Times New Roman","serif";">Suite
au très apprécié <a href="http://thodol.blogspot.fr/2012/07/pandaaemonium-directors-cut.html"><i><b>Director’s Cut</b></i></a> (avec Daaé), <b>PAN</b> a ouvert juste pour nous ses
tiroirs secrets et poussiéreux. Il a sorti des limbes des morceaux jamais
entendu et des matériaux sonores jamais publiés avant. </span></div>
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<span style="font-family: "Times New Roman","serif";">Ce
disque très spécial est édité pour la toute première fois, et il rassemble
quelques uns des travaux abstraits de <b>PAN</b> créés au cours de longues nuits entre
2003 et 2006. Le contemporain et le free-jazz se rencontre dans ces collages
cinématographique qui incluent même des éléments trip-hop.</span></div>
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<i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US;">After the great acclaimed </span></i><a href="http://thodol.blogspot.fr/2012/07/pandaaemonium-directors-cut.html"><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US;">Director's cut</span></b></a><i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US;"> (with Daaé), <b style="mso-bidi-font-weight: normal;">PAN</b>
has open again his secret and dusty drawers just for us. He has extracted from
the limbo some unheard tracks and unavailable sonic materials never issued
before.</span></i></div>
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<i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US;">This special disc released for the very first time collects
some of the <b>PAN</b>'s abstract works created during all his night between 2003
& 2006. Contemporary meets free-jazz by collage in a kinetic way that even
includes some trip-hop colors.</span></i></div>
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<span style="color: red;"><b><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US;">Télécharger
l'album /<i> Download the album</i></span></b></span></div>
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<a href="http://www.mediafire.com/download/etanqukr1e8qlbg/PAN_-_Ma_Shav_(THO017).rar"><b><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US;">MP3</span></b></a></div>
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<a href="http://www.mediafire.com/download/0kr70pkeqazgbfw/PAN_-_Ma_Shav_ARTWORK.rar"><b><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US;">Artwork</span></b></a></div>
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<span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US;">All music
by <b>PAN</b></span></div>
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<span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US;">Recorded
between 2003 & 2006</span></div>
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<span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US;">At home</span></div>
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<span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US;">Design
& Art by Vincent Capes</span></div>
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<span style="font-family: "Times New Roman","serif";">THO
017 - 06/2013</span><span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US;"></span></div>
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<span lang="EN-US" style="font-family: "Times New Roman","serif"; mso-ansi-language: EN-US;">CD time 45:04 </span></div>
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Thödolhttp://www.blogger.com/profile/07405805245613388706noreply@blogger.com0tag:blogger.com,1999:blog-601677937898126606.post-17560600814286486992013-06-26T17:55:00.002+02:002013-06-26T18:03:37.822+02:00Mini-Foire aux Disques Auto-produits de Nîmes<div style="text-align: center;">
Retrouvez <a href="http://thodol.blogspot.fr/"><b>THÖDOL</b></a> et <a href="https://www.facebook.com/galimatias.multiples"><b>GALIMATIAS</b></a><br />
<br />
Jeudi 27 juin de 17h à 22h <br />
au lavoir du Puits Couchoux, Nîmes<br />
pour la <a href="http://www.facebook.com/events/116181941917896/">Mini-Foire aux Disques Auto-produits</a> organisée par l'<a href="http://assocriez.blogspot.fr/"><b>association CRIEZ !</b></a><br />
... avec DJ 340m/s en special guest !<br />
</div>
<div style="text-align: center;">
</div>
<div style="text-align: center;">
<br />
<a href="http://www.gophoto.it/view.php?i=https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWly_N01aXW1PgBFMGndnAnQDE7FyptR1Dlf5zfIc1FSPpIpgNPuptHXigxd8iXlDVTWxBBkckEBBuh4Cq14lAQbuNK5wa_2grRah2LD1gJpMTQ-e4DKlpC0NBQ6XNfWYejf8UGdmDASU/s1600/Foire.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWly_N01aXW1PgBFMGndnAnQDE7FyptR1Dlf5zfIc1FSPpIpgNPuptHXigxd8iXlDVTWxBBkckEBBuh4Cq14lAQbuNK5wa_2grRah2LD1gJpMTQ-e4DKlpC0NBQ6XNfWYejf8UGdmDASU/s320/Foire.jpg" width="226" /></a><br />
<a href="http://www.facebook.com/events/116181941917896/"><span style="font-size: xx-small;">Retrouvez l'évènement sur facebook</span></a></div>
<div style="text-align: center;">
</div>
<div style="text-align: center;">
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Thödolhttp://www.blogger.com/profile/07405805245613388706noreply@blogger.com0tag:blogger.com,1999:blog-601677937898126606.post-24452531347824722262013-03-31T12:07:00.002+02:002013-03-31T12:08:34.858+02:00Page de Pub - U15 de Jérémie MATHES<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBCtvylDSIT5TED3Xfrg8i6MGAmhyphenhyphen4QnhOM8IgCtkSlMMtOd6YWeLFj8NTT1uK_G6gvcf7jAecLvxIkFaRkCg1EKQqxz1UbcxcW8ordMG-YeT9me1QW61J-LK_iSN6bjNhcobOMRzbTLE/s1600/jeremie-mathes_efequen.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBCtvylDSIT5TED3Xfrg8i6MGAmhyphenhyphen4QnhOM8IgCtkSlMMtOd6YWeLFj8NTT1uK_G6gvcf7jAecLvxIkFaRkCg1EKQqxz1UbcxcW8ordMG-YeT9me1QW61J-LK_iSN6bjNhcobOMRzbTLE/s1600/jeremie-mathes_efequen.gif" /></a></div>
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<a href="http://unfathomless.wordpress.com/releases/u15-jeremie-mathes/"><span style="font-size: x-small;">Acheter le disque / <i>Buy the disc</i></span></a></div>
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CD ltd to 200 hand numbered copies</div>
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2013</div>
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40’47</div>
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<b><i><a href="http://www.unfathomless.net/">Unfathomless Label</a></i></b></div>
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1 / Arrecife</div>
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2 / Ciclos</div>
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3 / Atlante Del Sol</div>
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4 / Los Caletones</div>
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5 / El Golfo</div>
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<b><a href="http://jeremiemathes.com/">Jérémie MATHES</a></b> : Field Recordings</div>
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Les field recordings, comme les drones, peuvent être touchants. Mais pour ça, ils doivent être assez complexes pour à la fois capter l’attention totale de l’auditeur, mais aussi provoquer chez lui une certaine fascination, au-delà d’une contemplation passive, pour le retenir et lui dévoiler un ailleurs mystérieux. </div>
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Mais s’il y a trop de complexité dans cette musique, l’édifice s’effondre. Car toute cette musique tient intégralement dans cette fragile spécificité : la capture d’un réel qu’on s’approprie et qu’on manipule pour en garder simplement la substance et le faire accéder à un état supérieur sans en pervertir l’essence. Le sublimer et le révéler. En ça, cette pratique est profondément magique. Burroughs en savait quelque chose. </div>
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Jérémie Mathes utilise son enregistreur comme un canal médiumnique, faisant le pont d'un monde sonore à l’autre, simplement en agençant les sons. Il est passé maître dans l’art de traduire le visuel en auditif et inversement. Son travail absorbe l’auditeur et l’attire dans un univers subtil, où les bruits se transforment en musique méditative et se meuvent jusqu’aux bords de l’angoisse et de la mélancolie. </div>
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Jérémie Mathes s’intéresse aux textures sonores de l’environnement presque à un niveau moléculaire. En renonçant aux rythmes et aux mélodies, il donne naissance à un monde extrêmement dense, complexe, organique, d’une beauté abstraite et labyrinthique. Et bien qu’elle soit sensitive, intuitive et interne, cette musique n’a rien d’aléatoire. Par un jeu d’emboîtement précis des différents fragments, elle convoque la mémoire des lieux et affiche les stigmates des drames et des tensions qui sont déjà passées et ceux qui arriveront bientôt. </div>
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<i>Field recordings, such as drones, can be touching. But they must be complex enough to both capture the full attention of listeners and also arouse a certain fascination, way beyond just contemplation, to hold him and unveil some mysteries. </i></div>
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<i>But if this music is too complex, the building collapses, because this kind of music is full in this fragile specificity: capturing the real, appropriating and manipulating it just to keep the substance and try to reach it on a higher state without perverting the essence. Reveal & sublimate it. In this way, this practice is deeply magical. And Burroughs knew it.</i></div>
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<i>Jérémie Mathes uses his recorder as a psychic channel, bringing a sound world to another, just by rearranging sounds. He masters the art of translating visual in aural and vice versa. His work absorbs and draws listener in a subtle universe, where sounds become meditative music and move to the edge of anxiety and melancholy.</i></div>
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<i>Jérémie Mathes focuses on sound textures of the environment almost at a molecular level. Renouncing rhythms and melodies, he gives birth to an extremely dense, complex, organic world and abstract labyrinthine beauty. And although sensitive, intuitive and internal, this music is not random. By a set of specific nesting of different fragments, it summons memory of places and shows the scars of tragedy and tensions that have already happened, and those which will come soon.</i></div>
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Thödolhttp://www.blogger.com/profile/07405805245613388706noreply@blogger.com0tag:blogger.com,1999:blog-601677937898126606.post-3301481240591639932013-03-24T17:44:00.002+01:002013-03-24T18:44:56.097+01:00Coup de projecteur - HORSE GIVES BIRTH TO FLY<!--[if gte mso 9]><xml>
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<div class="MsoNormal" style="line-height: normal; margin-bottom: 6pt; text-align: center; text-indent: 35.4pt;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQJbTuSw0NAcaiZlfPT1BwpuuxmBNdcfkn5cUIi0YYhEzfh495Dx7TtmPumCWZMiePzHU6Lnt-ZGzYX4fpMjVXr6uyNRdHzQvJKRX7zz1m3OgWl3wWPLgDf2a1nO3_rI5_9uy60q2SYZM/s1600/HGBTF.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQJbTuSw0NAcaiZlfPT1BwpuuxmBNdcfkn5cUIi0YYhEzfh495Dx7TtmPumCWZMiePzHU6Lnt-ZGzYX4fpMjVXr6uyNRdHzQvJKRX7zz1m3OgWl3wWPLgDf2a1nO3_rI5_9uy60q2SYZM/s320/HGBTF.jpg" width="320" /></a><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"> </i></b></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 6pt; text-align: center; text-indent: 35.4pt;">
<a href="http://horsegivesbirthtofly.bandcamp.com/album/babaliche"><span style="font-size: x-small;"><b><i>Ecouter Babaliche / Listen to Babaliche</i></b></span></a></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 6pt; text-align: center; text-indent: 35.4pt;">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><br /></i></b></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 6.0pt; text-align: justify; text-indent: 35.4pt;">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><a href="http://www.horsegivesbirthtofly.com/">Horse Gives Birth to Fly</a> </i></b>tient son
nom du formidable morceau de <a href="http://www.youtube.com/watch?v=RM9my0wf120"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">Deutsch Nepal</i></b></a>, qui tient le sien d’<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><a href="http://www.youtube.com/watch?v=uHLXUw6NOfE">Amon Düül II</a>. </i></b>Ainsi la filiation est claire, et il n’y a aucun mensonge sur
le contenu, car la musique de <a href="http://www.horsegivesbirthtofly.com/"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">Horse Gives Birth to Fly</i></b></a> se loge
très exactement dans cet interstice : entre la transe issue du
psychédélisme et du Krautrock et l’air vicié de la <i style="mso-bidi-font-style: normal;">dark ambient</i> et de la musique industrielle. <span style="mso-spacerun: yes;"> </span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 6.0pt; text-align: justify; text-indent: 35.4pt;">
Le résultat est un duo qui travaille sur les couches
successives et développe une musique atmosphérique d’une fragile puissance où
s’accroît la tension tout au long des morceaux. Et la longueur en est un des éléments-clé, parce que la répétition n’est pas le retour de l’identique, du même en tant que
tel. Et c’est précisément sur cette perversion que jouent Miccam et Kriss dans <a href="http://www.horsegivesbirthtofly.com/"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">Horse Gives Birth to Fly</i></b></a>. Cette superposition progressive qui s’immisce en
nous, les accumulations de boucles entêtantes et la façon dont ils les
orchestrent nous entraînent vers des paysages inquiétants, comme l’orage qui
gronde à l’horizon. Chaque petit bruit, chaque petit son qu’ils ajoutent participe
à édifier leur construction aural, qui fonctionne comme un tableau pointilliste
et qui ne se révélera et ne se déploiera que dans son holisme. </div>
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Cette musique peut même être d’un érotisme troublant.
Les timbres sont séduisants, les atmosphères envoûtantes, et les chants
liturgiques qui se mêlent aux percussions et aux drones gagnent l’auditeur
insidieusement. </div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 6.0pt; text-align: justify; text-indent: 35.4pt;">
<span lang="EN-US" style="mso-ansi-language: EN-US;">On
pense à Popol Vuh, Faust, Cabaret Voltaire, à <i style="mso-bidi-font-style: normal;">Set the Control for the Heart of the Sun</i> de Pink Floyd, ou Acid
Mothers Temple… </span>Mais étonnement, il faudrait peut-être rapprocher <a href="http://www.horsegivesbirthtofly.com/"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">Horse Gives Birth to Fly</i></b></a> de Ligeti, de Xenakis ou de Penderecki. Les exigences
musicales en jeu ici étant d'amener des reliefs, des couleurs et des dynamiques au-delà
de la technique ou de la simple puissance primale (bien qu’ici primitive). Ce
qui signifie que toutes les louanges qui peuvent être adressées à ce groupe viennent
de la concentration exemplaire, à la fois intense et impressionnante dont ils
font preuve. </div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 6.0pt; text-align: justify; text-indent: 35.4pt;">
<a href="http://www.horsegivesbirthtofly.com/"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">Horse Gives Birth to Fly</i></b></a> déploie une
musique tellurique, qui s’inscrit dans des rituels oubliés et nous emmène vers
des contrées lointaines. Cela résonne en nous comme la reconnaissance imprévisible
de ce qu’on ignorait depuis trop longtemps et qui ne peut plus, qui ne veut
plus se taire. </div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 6.0pt; text-align: justify; text-indent: 35.4pt;">
Pour vous en convaincre, <a href="http://horsegivesbirthtofly.bandcamp.com/album/babaliche">écouter donc leur dernier morceau</a>, bientôt disponible en LP.</div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 6.0pt; text-align: justify; text-indent: 35.4pt;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 6.0pt; text-align: justify; text-indent: 35.4pt;">
<a href="http://www.horsegivesbirthtofly.com/"><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="mso-ansi-language: EN-US;">Horse Gives Birth to Fly</span></b></a><span lang="EN-US" style="mso-ansi-language: EN-US;"> <i style="mso-bidi-font-style: normal;">was
named after</i> <a href="http://www.youtube.com/watch?v=RM9my0wf120"><b style="mso-bidi-font-weight: normal;">Deutsch Nepal</b></a><i style="mso-bidi-font-style: normal;">’s masterpiece, which was named after </i><span style="mso-bidi-font-style: normal;"><a href="http://www.youtube.com/watch?v=uHLXUw6NOfE"><b style="mso-bidi-font-weight: normal;">Amon </b></a></span><a href="http://www.youtube.com/watch?v=uHLXUw6NOfE"><b style="mso-bidi-font-weight: normal;">Düül II</b></a><i style="mso-bidi-font-style: normal;">. So, filiation is
clear, and there’s no lie about the content. </i><a href="http://www.horsegivesbirthtofly.com/"><b style="mso-bidi-font-weight: normal;">Horse Gives Birth to Fly</b></a><i style="mso-bidi-font-style: normal;">'s music fits exactly in this gap: between the trance
came from psychedelism or Krautrock and stale air of dark ambient and
industrial music.</i></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 6.0pt; text-align: justify; text-indent: 35.4pt;">
<i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="mso-ansi-language: EN-US;">The result is a duo that works on
layers and atmospheric music. It develops a fragile power with a ever-growing tension
all along the tracks. And the length is one of the keys of this music, because
repetition is not the return of the identical, the same itself. In</span></i><span lang="EN-US" style="mso-ansi-language: EN-US;"> <a href="http://www.horsegivesbirthtofly.com/"><b style="mso-bidi-font-weight: normal;">Horse Gives Birth to Fly</b></a><i style="mso-bidi-font-style: normal;">, Miccam
and Kriss play precisely on this perversion. This progressive superposition meddles
in us. The accumulation of catchy loops and how they both orchestrate it lead
us to uncanny landscapes, where the storm roars on the horizon. Every little
noise, every little sound they add builds their aural construction, which works
like a pointillist painting and will be revealed and unfold only by the holism.</i></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 6.0pt; text-align: justify; text-indent: 35.4pt;">
<i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="mso-ansi-language: EN-US;">This music is even a little disturbing
with its eroticism. The tones are attractive, the atmospheres are bewitching,
and liturgical songs blend with percussions and drones insidiously reach the
auditor.</span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 6.0pt; text-align: justify; text-indent: 35.4pt;">
<i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="mso-ansi-language: EN-US;">It reminds us Popol Vuh, Faust,
Cabaret Voltaire, Pink Floyd’s</span></i><span lang="EN-US" style="mso-ansi-language: EN-US;"> Set the Control for the Heart of the Sun<i style="mso-bidi-font-style: normal;">, and Acid Mothers Temple... But surprisingly, maybe </i><a href="http://www.horsegivesbirthtofly.com/"><b style="mso-bidi-font-weight: normal;">Horse Gives Birth to Fly</b></a><i style="mso-bidi-font-style: normal;">
would be closer to Ligeti, Xenakis and Penderecki. The musical requirements
involved here are to bring relief, colors and dynamics beyond the technical or
simple primal power (although it’s primitive here). It means that all the
praise that can be directed at the group as to do with the perfect
concentration, both intense and impressive.</i></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 6.0pt; text-align: justify; text-indent: 35.4pt;">
<a href="http://www.horsegivesbirthtofly.com/"><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="mso-ansi-language: EN-US;">Horse Gives Birth to Fly</span></b></a><i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="mso-ansi-language: EN-US;"> displays land-based music, which is part of forgotten rituals and takes
us to distant lands. It sounds to us like the recognition of what was too long ignored.
And this something can’t, doesn’t want to shut up.</span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 6.0pt; text-align: justify; text-indent: 35.4pt;">
<i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="mso-ansi-language: EN-US;">To convince you, <a href="http://horsegivesbirthtofly.bandcamp.com/album/babaliche">listen to their latest track</a>, soon available in LP.</span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 6.0pt; text-align: justify; text-indent: 35.4pt;">
<br /></div>
<span lang="EN-US" style="mso-ansi-language: EN-US;">Kriss :
Rythmic & tribal voice, Bass, Space toys</span><span lang="EN-US" style="mso-ansi-language: EN-US;"> </span><br />
<span lang="EN-US" style="mso-ansi-language: EN-US;">Miccam :
Cosmic Noise Guitar, Aerial voice, Space toys</span><br />
<br />
<a href="http://www.horsegivesbirthtofly.com/"><span lang="EN-US" style="mso-ansi-language: EN-US;"><b>Horse Gives Birth to Fly</b> site</span></a><span lang="EN-US" style="mso-ansi-language: EN-US;"><b> </b></span><br />
<a href="http://horsegivesbirthtofly.bandcamp.com/album/babaliche"><span lang="EN-US" style="mso-ansi-language: EN-US;"><b>Horse Gives Birth to Fly</b> on Bandcamp</span></a><br />
<div class="MsoNormal" style="line-height: normal; margin-bottom: 6.0pt; text-align: justify; text-indent: 35.4pt;">
</div>
Thödolhttp://www.blogger.com/profile/07405805245613388706noreply@blogger.com1tag:blogger.com,1999:blog-601677937898126606.post-26567938640109426632013-01-18T10:57:00.000+01:002013-01-18T18:45:05.308+01:00Page de publicité - J.PROCK<br />
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<i><b>J.PROCK</b></i> est à la fois un groupe de rock, de pop, d’électro et de new wave alternative. Ça sonne un peu comme si <i>Yellow Magic Orchestra</i> avait trop écouté Zappa. Mais la façon la plus révélatrice pour les décrire c'est groupe de rock. <br />
On sent d’où viennent ces trois-là. On comprend ce qu’ils ont écouté quand ils étaient adolescents.<br />
Ce trio, c'est l'âme du rock avec une touche d’avant-garde qui revisite une certaine Dance qui était sur le point de rendre l'âme (au fond, ça reste une des dernières inventions musicales à proprement parler). Alternant avec humour et sincérité entre l’innocence de l’enfance et l’intelligence de la maturité, cette musique est immédiate. Courez à leurs concerts !<br />
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<i><b>J.PROCK</b> is a band which do rock, pop, electro and new wave alternative at the same time. It sounds like </i>Yellow Magic Orchestra<i> had listen to Zappa way too much. But the most revealing word to describe this band is still rock.<br />We can easily understand what these guys had listened to when they were teenagers.<br />This trio is the soul of rock with a touch of avant-garde revisiting the dance music which about to give up the ghost (basically, dance remains one of the last musical inventions per se). Alternating with humor and sincerity between the innocence of childhood and intelligence of the maturity, this music is immediate. Run to their concerts!</i></div>
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<a href="http://www.myspace.com/benoistb">Benoist BOUVOT</a> : Guitare (<i>Guitar</i>)<br />
Sofiane REMADNA : Basse, Voix (<i>Bass, Voice</i>)<br />
Benjamin CHAVAL : Batterie, Claviers (<i>Drums, Keyboards</i>)<br />
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<br />Thödolhttp://www.blogger.com/profile/07405805245613388706noreply@blogger.com0